Deep care and craft are on display in this keenly observed profile of bladesmith Sam Goldbroch for Chicago Magazine. Dive into blade science and history along with the sensory experiences of Golbroch’s forge, as he creates a knife commissioned by the author, Laurence Gonzales.
Sam brought out what looked like a deck of tarot cards with nothing on them. No Hermit. No Hanged Man. No Fool. They were gray, thicker than ordinary cards, and clearly heavy in his hands. Inside of them a message waited. He had a long ritual to perform to release it.
As he shuffled the cards, they clattered together, revealing the first hint of their message: They were made of steel. He stacked them and squared up the edges so that all of the cards were nice and straight, nothing sticking out or crooked. Everything neat. The alchemical precision favored by Newton in his dim laboratories.
He clamped them in an industrial vise. Now the cards made a block about the size of a thick paperback book. They would never be individual cards again, these 12 pounds of two different kinds of steel, arranged in alternating layers.
And I knew that Sam would make his own Damascus steel for this knife. The blade and handle would mate to make a work of art that was an exceptional tool.
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