Our favorites this week included the truth behind the term “burnout,” an incisive analysis of rap scapegoating, flowers for an aging icon, the beauty of noticing hidden wildlife, and an engaging look at history’s forgotten children. We hope you enjoy them as much as we did.
Bench Ansfield | Jewish Currents | January 3, 2023 | 3,358 words
I might have recommended this essay based on the excellent headline alone, but in fact the substance is the star of the show. Like many millennials, I have adopted the term “burnout” into my vocabulary as a way of describing the feeling of working too hard, juggling too much, and feeling depleted by the grinding expectations of late-stage capitalism. After reading this piece, I’ll be endeavoring to use the word differently. As historian Bench Ansfield shows, the true origins of burnout as a concept have been obscured over time. Burnout isn’t a reference to a candle burning at both ends until there’s nothing left, but to the shells of buildings left by a wave of arson that ravaged Black and brown neighborhoods in New York City in the ’70s. Much of the damage was caused by landlords looking for insurance payouts. “If we excavate burnout’s infrastructural unconscious — its origins in the material conditions of conflagration — we might discover a term with an unlikely potential for subversive meaning,” Ansfield writes. “An artifact of an incendiary history, burnout can vividly name the disposability of targeted populations under racial capitalism — a dynamic that, over time, has ensnared ever-wider swaths of the workforce.” If this were the premise of a college class, I’d sign up in a heartbeat. —SD
Justin A. Davis | Scalawag | February 9, 2023 | 4,089 words
Put aside the chewy headline for a moment. Also put away whatever you know or don’t know about Young Thug, one of Atlanta’s most influential rap luminaries for a decade, and the epicenter of a sprawling and questionable criminal investigation into his YSL crew. What you’ll find is a shrewd, fascinating analysis that combines a music obsessive’s encyclopedic genre knowledge and a Southerner’s geographical intimacy, refracted through a lens of accessible (a crucial modifier!) political theory. It ably unpacks the hydra-headed beast of gentrification and economics and policing, as faced by the young Black man who’s currently the Fulton County DA’s public enemy number one. “As working-class and poor Black Atlantans fight against displacement and fall back on everyday survival tactics,” Justin A. Davis writes, “they’re joining a decades-long struggle over who exactly the city’s for. So is YSL.” This sort of piece is exceedingly rare, not because of its form but because it demands an outlet that understands and nurtures its particular Venn diagram. Credit to Scalawag, and of course to Davis, for creating something this urgent. Required reading — not just for Thugga fans or Atlantans, but for anyone seeking to understand the world outside their own. —PR
Wright Thompson | ESPN | February 8, 2022 | 12,111 words
“No. 16 is no longer what it once was. Joe Montana now must be something else.” I haven’t kept up with American football in at least 20 years, but that didn’t stop me from devouring Wright Thompson’s astonishing profile of former 49er quarterback Joe Montana. I grew up watching the Niners (Ronnie Lott 4eva) and have fond memories of attending games at Candlestick as a child. But you certainly don’t need to be a Niner fan, a football fan, or even be into sports at all to appreciate this beautifully written and revealing piece. Thompson paints a portrait of a complicated man and an aging athlete — one of the greatest of all time — and what it’s like to watch someone else take over that throne. —CLR
Lucy Jones | Emergence Magazine | February 2, 2023 | 5,179 words
The forest path near us is a never-ending source of delight. I love being the first to see animal tracks in the snow. I look forward to the first yellow lady slippers that appear as if by magic near the marshy section, not to mention all the leaves and flowers as they sprout, and the myriad fungi that cling to the trees. Lucy Jones shares this wonder in nature (at slime molds in particular!) in Emergence Magazine. There she finds equal parts beauty, mystery, and wonder — a coveted yet all-too-elusive feeling nowadays — as she scans the forest for varieties that she’s just now starting to notice. “My eyes were starting to learn slime mold,” she writes. “My ways of seeing were altering, thanks to my new friends who were showing me what to look for. What was once invisible was quickly becoming apparent. It challenged my sense of perception. How little and how limited was my vision! How vast was the unknown world.”—KS
April Nowell | Aeon | February 13, 2023 | 4,400 words
April Nowell opens this piece with a delightful story about a Palaeolithic family taking their kids and dogs to a cave to do some mud painting, which feels like the modern-day equivalent of exhausted parents taking their offspring to McDonald’s and handing them a coloring book. I was instantly entranced. Such stories are rare, partly because evidence of children (with their small, fragile bones) is tricky for archaeologists to locate, but also because of assumptions that children were insignificant to the narrative. Nowell explains how, with the help of new archaeological approaches, this is changing, and the children of the Ice Age are getting a voice. I am ready to listen, so bring on these tales of family excursions and novices struggling to learn the craft of tool sculpting (as Nowell explains, “each unskilled hit would leave material traces of their futile and increasingly frustrated attempts at flake removal”). A Palaeolithic archaeologist and professor of anthropology, Nowell is an expert in this topic, but her vivid writing and human-based approach makes her fascinating field accessible to all. —CW
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Overcoming battles with mental health to become an incredible cliff diver, Gary Hunt also appears to be a lovely person, as Xan Rice demonstrates in this endearing portrait of an unusual athlete — one unruffled by sponsors, other competitors, or great heights.
Just watching the divers walk along the platform made my heart pound. Some made the sign of the cross on their chest, or slapped their thighs to psych themselves up. Every now and then a diver would step back from the edge just before they were supposed to jump, disturbed by a gust of wind or a moment of apprehension.
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For every new mechanism that brings people to reading, there’s a contingent of people who dismiss it. As Leigh Stein points out in this full-throated defense of TikTok’s literary side, that’s both gatekeepery and short-sighted. And whether or not you endorse the idea that there’s so such thing as a guilty pleasure, you have to admit: She Toks a good game.
I’ve been baffled by why my esteemed colleagues, who gather in the thousands at AWP to kvetch about how hard it is to make a living as a writer, are so incurious about the place on the internet where readers are buying a metric fuckton of books.
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It shouldn’t be much of a surprise that the man who wrote the sci-fi novella “Story of Your Life” (which became the movie Arrival) has delivered one of the smartest reads yet on the current limitations of AI engines like ChatGPT. It’s only February, but Ted Chiang is already the writer to beat for Metaphor of the Year.
And it’s not the case that, once you have ceased to be a student, you can safely use the template that a large language model provides. The struggle to express your thoughts doesn’t disappear once you graduate—it can take place every time you start drafting a new piece. Sometimes it’s only in the process of writing that you discover your original ideas. Some might say that the output of large language models doesn’t look all that different from a human writer’s first draft, but, again, I think this is a superficial resemblance. Your first draft isn’t an unoriginal idea expressed clearly; it’s an original idea expressed poorly, and it is accompanied by your amorphous dissatisfaction, your awareness of the distance between what it says and what you want it to say. That’s what directs you during rewriting, and that’s one of the things lacking when you start with text generated by an A.I.
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It’s devilishly difficult to pick apart the tangled knot of policing, gentrification, and economics that besieged so many Black communities — but Justin A. Davis does so with agility and insight in this analysis of the deeply flawed criminal investigation against rapper Young Thug unfolding in Georgia.
In a city that’s been shaped by redlining, white flight, and crisscrossing transportation lines, Atlanta’s Black neighborhoods form a complex network of cultural transmission. This cultural network has led to the huge aesthetic diversity that’s defined Atlanta hip-hop, especially in the past decade. And it’s a huge contrast to the way these same neighborhoods are often politically isolated: deprived of city funding, resources, and infrastructure. Beneath these two trends—cultural diffusion and political isolation—there’s YSL’s Atlanta, a place built by the Black working class and urban poor in the shadow of state abandonment. This is a place built on the sensibilities of contemporary trap, where the everyday war stories of Bush-era Jeezy and T.I. have mixed with more than a decade’s worth of experiments in production and vocal style.
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Cassidy Randall | Longreads | February 16, 2023 | 4,141 words (15 minutes)
Ben carries a Pulaski ax filched from the cabin’s woodshed as we walk the trail along the Canadian border. Half a mile back, we stepped over a mountain lion’s broad track imprinted fresh on the damp banks of the river, her cub’s pocket-sized paw laid just behind it. Claw marks score the aspens at heights above my head, tufts of fur from the enormous bears who left them snagged by the peeling bark. Yesterday we heard a wolf howl far off in the forest.
The ax is less for protection from these predators — Ben couldn’t bear to kill any of them, even hoping the cabin’s resident pack rat outsmarts the trap he half-heartedly set for it — and more to intimidate any poachers we might come across in this remote corner of Glacier National Park. He’s been coming to the old ranger station here every fall for 20 years in solitary soul-searching rituals, under the pretext of performing this antiquated patrol for illegal hunters. He’s never brought anyone else in for such a long stint. And never someone so important to him, he says. It makes him more fearful of everything that can go wrong in the deep wild out here. Another reason he carries the ax.
It still boggles my mind that I could be important like that to someone.
To the north of this border trail lies Revelstoke, British Columbia: the mountain mecca that’s now my home. To the east and south rises the jagged expanse of the rest of Glacier, where Ben and I first met so many years ago — back when I called Montana home, when I wrote him off as another failed relationship in a lifelong string of them. Back when I hitched my self-worth and happiness to being loved by a man.
To the west, my Montana-bought truck with its British Columbia license plates sits in the sagebrush waiting for our return. For me to decide which direction to drive it: Back to Canada, where I’ve chosen me, and the mountains, over men. Or south into Montana with Ben, and everything I’ve already left behind.
The truck didn’t come until later. The little sedan that carried me to Montana came first.
In 2005, I piloted that gold Ford Focus from Los Angeles up to Missoula one November, looking to spend the winter there during my off-season from teaching outdoor education in my native California. A child of salt water and dusty ponderosa forests, I’d never “spent a winter” anywhere with actual winter. I was looking for a novel three or four months before going back to teaching.
If I’m honest with myself, I was really looking for something else.
Inside my head then, I was still the awkward, nerdy girl of my youth. Growing up, I was unaware I was a nerd. I was proud of my intelligence. I rushed to shoot my hand up first in class. I thought it was cool to bury my nose in Lord of the Rings books during free time, and when someone interrupted me, cry out, “Hold on! I’m in the middle of a battle scene!” I was both chubby and the tallest girl in the class, looming in both directions over most of the boys. I had crooked teeth and bad eyes, necessitating glasses and braces, although not, thanks to my parents’ foresight on this, at the same time.
High school brought no transformative hero(ine)’s arc, the type in the ’90s movies of my youth where the mousy loner girl ends up being gorgeous under those glasses, saved from the hell of social rejection by the coolest, hottest guy on campus. I recall vividly when the neighbor boy called to tell me my friends, with whom I’d been inseparable for years, didn’t want to hang out with me anymore. The following day, I stood horrifically alone on the quad at lunch hour, everyone witness to my fresh status as a total loser. Only one or two boys asked me out over those years. I went to my senior prom stag, trailing a group of, by then, painstakingly won girlfriends and their dates.
So driving north to Missoula at 24, I couldn’t shake the idea that if I hadn’t had a real boyfriend by then, something was wrong with me. I know there were good times in high school, but we are so hardwired for negativity that underlined in bold in my mind was the conviction that I wasn’t attractive enough, fun enough, athletic enough, thin enough, good enough for a man to love me back.
But in Montana, virtually no one knew me. It would be a clean slate. When I drove my little sedan on the tail of a fierce wind into Missoula, what I was really looking for was salvation. In the form of a Prince Charming mountain man.
The little ski hill outside town, I heard, was the best place to meet guys. Plus, learning to ski would be something to do in the long, dark cold season. Despite the fact that I grew up at the foot of the San Bernardino Mountains, home to the gritty ski resorts of Snow Summit and Big Bear, winter was not in my family’s wheelhouse. In junior high, when I heard people start telling stories about learning to ski and snowboard, I cornered my father.
“Dad, why don’t we ever go skiing?”
A lifelong product of orange groves and waves himself, he replied, only half joking, “You can stand in a cold shower and rip up $20 bills for the same effect.”
I figured skiing, then, would be a trial, a task that must be accomplished toward an end goal. But, shockingly, I turned out to be good at it. Learning what my body could do in harmony with a certain angle of slope or a particular pattern of snow-robed pine trees made me forget for a while about that uncoordinated little girl. I’d been praying to winter to offer up a romance, was ready to make sacrifices to this new god if it asked for them. And perhaps it did, and I delivered unknowingly and without question, as snow edged out the desert heat from my bones. It fell in my dreams and in drifts behind my eyes. I didn’t find any princes there. But I did find my own power awakening.
I dreamed of bigger mountains, deeper forests, and people to explore them with, as all my friends got married, had children, and insulated themselves.
Spring came, the outdoor education season started in California, and my little sedan stayed parked in Montana.
The landscape seeded in my skin. Creeks and rivers rearranged and settled into my blood vessels, trail dust tattooed my ankles. The landscape blurred something, too: the primary geographical feature of my college years. That three-story sorority house in West L.A., packed with 50 young women and full-length mirrors on every landing and at the end of every hallway, mercilessly insisted on what my body was supposed to look like, how the right clothes were supposed to hang on my breasts, which weren’t big enough, and my stomach, which wasn’t flat enough. Surely if I could fit the right mold then I would be worthy of love and the men would flock. I ran the perimeter of campus every other day. I counted calories. The energy it took exhausted me. And I wasn’t the only one in that house. All those bodies that held staggering intelligence and ambition and promise reduced to the pursuit of an unattainable image at the bid of West L.A.
But here. Here my body began to transmute into what it could do, not what it looked like, rinsing away what Los Angeles had taught me about image and self-worth and the dubious merit of a thin pair of thighs. It was in the midst of that transcendence that romance finally materialized.
At 25 years old, I was saved. For a few years, I was part of something. As in, partner. As in, love, reciprocal. As in, half of a whole. With him, I was whole. I don’t believe I ever told him he was my first boyfriend. I never wanted him to think of me as flawed, to be repulsed by my past incapacity for inspiring attraction. And I did love him, but perhaps it was secondary to finally achieving what so much of Western culture had taught my generation of girls, insidiously and thoroughly, about what “complete” means.
Then he left for me another woman. One “more capable outdoors,” “more spiritually connected to the woods,” more enough of basically everything that I wasn’t. I walked the trails and swam the rivers in an attempt to wash away the pronouncement of my lacking, asked the gilded sun that kaleidoscoped through the cottonwoods and larch to evaporate it from my skin into the wide Montana sky.
I never stopped to think whether he had ever been enough for me.
Some years after, I drove through the long light of a July night to West Glacier. Headed for a date. By then I’d been on many. Some stuck, and I’d be madly in love for a few months until my switch inexplicably flipped and I’d wonder what the hell I’d been thinking. But most hadn’t stuck, and second dates were a rarity. I always figured it was my fault.
This one was an epic blind date. A mutual friend had introduced me to a man named Ben, who was stationed in Glacier doing trail work. He invited me to summit a peak in the park, if I didn’t mind staying the night on his couch for an early start in the morning. It was a spectacular act of faith for a first date. But I knew about faith. It was one of the things my friends said they liked best about me: how I put my heart on the chopping block again and again.
I recall certain scenes, particular details, of those 24 hours. Him walking down the steps of his little cabin with a beer in each hand before I even turned off the ignition, a couple tattoos snaking up his arms to disappear under rolled-up sleeves. How I couldn’t decide if his eyes were hazel or green. Pulling a scratchy blanket up to my chin on the too-small couch. The dark before dawn when he made us gigantic sandwiches of bacon and runny eggs.
I remember, perhaps because it was embarrassing, that as we passed the long stretch of Lake McDonald on the way up Going-to-the-Sun Road, I said without thinking: “Do you know that one of my favorite things in the whole world is jumping naked into a lake after a long hike?”
I hadn’t meant it flirtatiously. It was just a fact about myself, like, “I am not a morning person,” or, “Actually, runny eggs really gross me out.”
He grinned knowingly. “Well then. We’ll have to see if we can find any spots for you later.”
I also recall that at the trailhead, he took off nearly at a sprint. I kicked into gear to keep up, my attempt to carry on a conversation punctuated by gasping even as he pulled farther ahead. I remember thinking he was just another mountain man like all the others who demonstrated clearly that I possessed neither the speed nor strength required for their adventure pursuits, which were more important than me, who was perhaps just a hindrance out here, on second thought, so why don’t we just meet up for a beer and a shag later?
“Is this a test?” I said to his back. If I wasn’t tough enough or whatever this guy was looking for, I wanted to know it now. If I’d learned anything over the years, it was that I could cut off the hoping and go straight to the rejection and save myself some torture.
“What?” He slowed, turning to look at me over his shoulder. “No! I’m just used to trail work, and the faster you hike, the faster you get things done and get back to camp for dinner. We can slow down, for sure. I’m sorry.”
I was unused to apologies or the outside-the-self awareness required to issue them. I don’t remember whether the conversation was awkward or easy after that. I know that the summit was windy and we took a single photo, his dimple showing through strands of my hurricane hair. And that he got us miserably lost on the return after claiming he knew the trails in the park like his own bones. I handled it badly, we drove past Lake McDonald in the late afternoon without a word, and I folded myself into my Focus after a curt goodbye. And I remember the thought, as I drove back south: Another one bites the dust.
I left Montana shortly after. I dreamed of bigger mountains, deeper forests, and people to explore them with, as all my friends got married, had children, and insulated themselves. But the biggest reason was that I dreamed of falling in love for good. Montana had delivered only drought and dust and failure in that department.
I sold the sedan. I bought the truck — which fit who I had become, and would fit this next leg of the journey so much better. I drove, trying on landscapes where it took me. East, south, west. Eventually I drove north, clear through the border, extending the route I’d began when I left Los Angeles all those years ago. I finally turned off the engine in a tiny mountain town in British Columbia.
Revelstoke’s bladed ridgelines repeated themselves to the Yukon. These mountains were religion with prophets and fanatics and martyrs. The light through thick stands of hemlock and behemoth ancient cedar was harder to obtain, more gratifying to subsume because of it. This landscape was sharp, nearly impenetrable, and it would never even fit inside my body.
I began, if not to turn away from the mythical notion of a man to “complete” me, to accept that there was no love out there for me. I chose mountains instead.
One late October afternoon, I knelt in front of my truck with a screwdriver to loosen my Montana license plates. I’d been here long enough that it was time. The Revelstoke air chilled with the sharp northern tilt of the earth and I thought, fleetingly, of math equation word problems about narrowing angles of light between the southern California desert and a Canadian ski town: “X equals how far she has come, measured in angles and distance.” Up here, I’d discovered the depth of my own capabilities. I’d expanded my limits in adventure sports, blossomed into a writer, surrounded myself with a community that lifted me up in those things. I’d traveled so far from that nerdy, chubby, awkward girl and her erroneous convictions. But internal growth is mostly unquantifiable with simple equations.
I twisted the tool on a corner of the Montana plate. The aluminum was bent from where I’d hit a deer some years before. She ran impossibly away and out of sight, trailing blood from wounds from which I knew she couldn’t recover. The blood was long gone from the plate, but her imprint remained. I pulled off the worn rectangle and affixed the shiny panel of my new British Columbia plate. It hung straight on my bent bumper. I ran my hand over its clean white slate, satisfied.
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A few months later, a notification popped up on Facebook. It was Ben’s birthday. On a trip back down to Montana some years back to grab my things from storage, I’d bumped into him in an old watering hole in Missoula where he had relocated for graduate school, and my brain did an about-face. It forgot about the bad parts of that first date and focused clearly, instead, on the topography of his body perfectly fitting mine when he stood to hug me. On a whim, I wrote Happy birthday on his profile. He replied immediately on Messenger.
I want to apologize, again, for getting us lost on our hike all those years ago. I’ve felt bad about it ever since.
The chat window held the archived thread of our first communication, timestamped five years ago. Scrolling back I saw the past iteration of myself: a girl less confident, still so careful to present herself so as to be liked. I saw him: striding assuredly into the wild whether or not he knew where he was going.
The following month, at Ben’s invitation, I stopped in Whitefish, just south of the Canadian border where he lived now, to see him on my way to Missoula. My stomach dropped as I pulled into town, waking up butterflies that tickled my insides. I couldn’t figure out why the butterflies were having a party in there. I already knew Ben.
He sat on the porch steps of an antique two-story house on the corner, sleeves rolled up to reveal those tattoos, elbows on his knees, scanning the street. He rose when he saw my car and smiled. The dimple.
“How was the drive?” he asked. So many ways to respond. Instructive, I could say. Delivering. Redeeming. But he, asking only about this short leg of my long road to discovery, would be confused. I replied simply, “Good.”
His tiny living room smelled of incense and woodsmoke and aging paper from the books overflowing a shelf. I turned to sit on an ugly plaid loveseat by the door, and stopped to examine an enormous map above it, with penned lines drawn all over it.
“Is this Glacier?” I asked him.
He’d shut the door behind him, and was trying to find an innocuous place to stand in the small room with me in it. He settled for leaning against the wall. “Yeah. Those are all the trails I’ve hiked.”
I leaned toward it, peering at an inked spider web in the northwest corner, right on the Canadian border. It was nowhere I’d ever heard of.
“That’s Kishenehn,” he said. “An old ranger station. I stay there every fall to patrol for poachers. It’s not on any maps anymore, but park officials still like to have a presence there during hunting season.” He paused. “It’s a pretty special place.”
That afternoon, something between us flicked on like a light. I could close my eyes and point to where he stood in a crowded room. As we hiked up a local mountain to ski down it, he looked at me and smiled with that dimple deepening and a premonition struck me to my core with a singular clarity: This will be big.
Some months later, we sat on my tailgate sipping my favorite Montana beer that Ben had brought up to Revelstoke, watching the August sun sink below the mountains across from where my truck sat on the river bank. A lovely moment.
We argued through it.
“I don’t want to keep going like this, with two weeks or more between seeing you,” he said. “It’s hard to be away from you so much. I can’t wait until we live in the same town.”
“But what will that even look like?” I downed the rest of my beer. “You’ve said you don’t want to move up here, which I get. It’s hard to get residency, or even a work permit. Trust me, I know, I’ve been through it.”
“It would be easier for you to move back down there. Don’t you want to be back in Montana eventually? With all your best friends? And me?”
I went to work peeling the label off the bottle in my hands to keep them busy while I figured out how to articulate what I needed to say. We’d met in his place, in mine. I fed him my northern landscape, the big newness of it all, the dark rainforest with ancient trees and the snowblind ridges unfurling to the Arctic. He fanned the dying embers of cottonwood light in me. But the drive back north after my visits to Montana always felt more … right.
“I don’t reach my full potential in Montana,” I said. “This is where I reach my full potential. It’s where I expand. And I’ve worked so hard to be here.”
I had finally become enough for myself — in fact, more than I ever thought I could be — and my hyper-independent, jaded heart was perhaps incapable of opening itself to the offer of big, complicated love. Real love, not that movie shit. And so then I said what I couldn’t take back: “I’m not ready to sacrifice everything for this.”
Hurt pooled in his eyes, reflecting a skyline so foreign to him where the sun had just been.
Later we lay wrapped around each other in my bed, surrendering to sleep in our last night together before we separated ourselves by hundreds of miles, again, when he whispered in my ear, “Will you come with me to Kishenehn this fall?”
His sacred place. He’d told me how that specific corner had mapped itself inside his young and unsure skin and grown into the man lying beside me. I knew about places like that.
At the center of a treed clearing, hidden from the wondrous skylines that defined Glacier, Kishenehn Ranger Station sat shrouded in seclusion. Elk and moose antlers hung over the cabin’s timber-frame porch. Ben toured me around the grounds, the few outbuildings that surrounded the cabin like satellites. At the old fire crew bunkhouse, Ben motioned me around a corner.
“See these depressions along the perimeter?” he said, pointing to the ground at a line of blurry craters the size of my head. “These are century tracks, where bears have walked in the same footsteps for generations. And these,” he gestured to a series of scores in the exterior log wall at chest height and higher, “are claw marks. We’ll probably find some fur around too — yep, here.” He picked a few light brown hairs off the wood and handed them to me. Then he adjusted the bear spray on the chest strap of his pack and led us toward the creek.
He pointed out every track, explained every sound, inhaled the sky, and breathed it into me. He was so in his element here that he appeared the most solid he’d ever looked. And I understood, as I followed him along these trails that had shaped him the way my long road north had shaped me, that he didn’t need me to complete him, either.
He’d told me how that specific corner had mapped itself inside his young and unsure skin and grown into the man lying beside me. I knew about places like that.
We woke the next morning to 10 degrees and frost on the grass. A good morning for lingering over coffee by the woodstove. We read by the windows to catch their light. Ben put down his book often to watch the fringe of trees outside, which is why he was the one who saw the doe as she edged into the clearing. He called me over softly. Two fawns emerged from the trees, keeping close to the doe as the little family made its way through the wide meadow and disappeared into the light on the other side.
Ben smiled and pulled me down into his lap to lay his head against my chest.
“What are we going to do?” I asked into the quiet.
“About what?”
“About us. Where are we going to live?”
He raised his eyebrows. “I thought you weren’t ready to have that conversation.”
Before I could think too much about it, I said:
“I think you’re the love of my life.”
His eyes were green, then. “I know you’re the love of mine.”
Days later, with the temperature plunging, we trekked back to my truck in the sagebrush. The journey to a more fully formed iteration of the self looks like lines on a road atlas — or, for some, a wilderness trail map. Sometimes we must continually move forward to arrive. Sometimes, having charted the edges of ourselves, we are drawn to loop back, changed, to places we’ve already passed through, carrying acquired knowledge that lights up the landscape from new angles.
I had made no decisions about which direction to drive. But I had arrived at this: My full potential did not lie in a particular place. My worth did not reside in another person. And I finally realized, then, that enough had never been the right concept to attach to love. Complement, growth, faith, and yes, even independence, so hard-won for me — these fit better, but were still too simplistic to encompass the reality of what this love could be in all its layered complications. If I were willing to let it.
I opened my tailgate and shrugged off my heavy pack. Ben set his down next to it and pulled me into the landscape of his body that fit mine so well. “Thank you for coming with me,” he said.
We got into my truck and drove.
Cassidy Randall is a freelance writer telling stories on adventure, environment, and people expanding human potential. Her work has appeared in TIME, The New York Times, National Geographic, and Rolling Stone, and her first book, The Hard Parts with Oksana Masters, is out February 2023.
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“Burnout” is an inescapable concept these days. Its current usage, however, is a far cry from its origins in one psychologist’s appropriation of the imagery of urban arson in the 1970s, much of it instigated by landlords looking for insurance payouts. Bench Ansfield, a historian, makes the case for recognizing and reclaiming burnout’s roots as a necessary social project:
Unlike broken windows, burnout has shed its roots in the social scientific vision of urban crisis: We don’t tend to associate the term with the city and its tumultuous history. But it’s actually quite telling that Freudenberger saw himself and his burned-out coworkers as akin to burned-out buildings. Though he didn’t acknowledge it in his own exploration of the term, those torched buildings had generated value by being destroyed. In transposing the city’s creative destruction onto the bodies and minds of the urban care workers who were attending to its plight, Freudenberger’s burnout likewise telegraphed how depletion, even to the point of destruction, could be profitable. After all, Freudenberger and his coworkers at the free clinic were struggling to patch the many holes of a healthcare system that valued profit above access.
Many left critics of the burnout paradigm have faulted the concept for individualizing and naturalizing the large-scale social antagonisms of neoliberal times. “Anytime you wanna use the word burnout replace it with trauma and exploitation,” reads one representative tweet from the Nap Ministry, a project that advocates rest as a form of resistance. They’re not wrong. In Freudenberger’s chapter on preventing burnout, for instance, he exhorts us to “acknowledge that the world is the way it is” and warns, “We can’t despair over it, dwell on the pity of it, or agitate about it.” That’s psychobabble for Margaret Thatcher’s infamous slogan, “There is no alternative.” But if we excavate burnout’s infrastructural unconscious—its origins in the material conditions of conflagration—we might discover a term with an unlikely potential for subversive meaning. An artifact of an incendiary history, burnout can vividly name the disposability of targeted populations under racial capitalism—a dynamic that, over time, has ensnared ever-wider swaths of the workforce.
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Bella Ramsey’s journey across a post-apocalyptic landscape — as Ellie, alongside curmudgeonly smuggler Joel (Pedro Pascal) — in The Last of Us, has been a ratings hit on both sides of the Atlantic. Her brilliant performance has silenced some of her online critics, but as Jack King finds out in this insightful profile, the hate she has faced has taken its toll.
So many scenes were ingrained in my mind, from her fiery introduction to the tears that seemed to manifest from nowhere as one particular mid-season episode hit its climactic tragedy, plus many later moments that would be unfair to spoil.
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Trance music never went away, writes Philip Sherburne, and I agree. But I’ve not progressed with the sound since I first fell for it 25 years ago, when I was a wide-eyed, impressionable teenage raver. Whenever I listen to my “Old School Trance Favorites” playlist on Spotify, I’m whisked back to 1998 — on some dance floor in some dark warehouse, with a classic track like Three Drives’ “Greece 2000” or Veracocha’s “Carte Blanche” blasting in the room. The trance we danced to in those years was uplifting, life-changing. But as I ventured deeper into this world, the sound was a mere step in a longer journey — it marked a period of raving with training wheels, of hours-long DJ sets of spoon-fed transcendence.
Still, as some of Sherburne’s sources perfectly put it in the piece, there’s just something about trance, and listening to a “vintage” trance anthem from the late ’90s and early ’00s, however schmaltzy it may be, can give me shivers like no other type of music.
Sherburne writes a fun piece about the revival — or perhaps reimagination — of trance among a younger generation of producers and DJs who are outside the scene and, thus, more open-minded and experimental.
But where those projects carried a whiff of mischief, the new wave of trance feels like a more earnest and direct homage. Perhaps it’s a generational shift, as artists who first discovered electronic music from their friends’ stepdads’ Tiësto CDs begin to look back on their own musical upbringing. Maybe it’s just that people are jonesing for all the euphoria they can get right now.
Vestbirk believes that the shift is partly generational. A new wave of clubbers doesn’t have the same prejudices about trance that the old guard did. And the artsier end of the scene is bored with techno, which—in its overground, festival-filling incarnation, with an emphasis on formulaic structures, identikit sound design, and gaudy spectacle—has become as stale, commercialized, and ridiculous as mainstream trance once was.
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As she navigates her mother’s fainting spells, and through the process of testing and diagnosis, Nona Fernández considers the similarities between stars in the sky and the busy neurons of her mother’s brain, lit up on the test screen by a happy memory.
An astronomer indicating different constellations with a laser pointer, explaining to a group of tourists and me that all those distant lights we see shining above our heads come from the past.
Depending how far away they are, we might be talking about billions of years. The glow from stars that may be dead or gone. Reports of their death have yet to reach us and what we see is the glimmer of a life possibly extinguished without our knowing it. Shafts of light freezing the past in our gaze, like family snapshots in a photograph album or the kaleidoscopic patterns of our own memory.
We exit the neurologist’s office and I look at my mother with new eyes. Now I know that she’s carrying the whole cosmos on her shoulders. I tell her what I saw on the doctor’s screen. I tell her how much her brain looks like the night sky. I tell her about the electrical patterns of her neurons, the glow of her memory, the constellation that lit up the moment she summoned it, the luminescent reflection of her own past. I ask which happy scene it was that I saw twinkling on the monitor in the doctor’s office and she smiles and says she was remembering the moment I was born.
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Children comprised around half of the prehistoric population, but until now our knowledge of their lives has been limited. In this fascinating essay, April Nowell explores how this is changing; including some delightful descriptions of how these children learned, played, and contributed to their community.
But using new techniques, and with different assumptions, the children of the Ice Age are being given a voice. And what they’re saying is surprising: they’re telling us different stories, not only about the roles they played in the past, but also about the evolution of human culture itself.
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It’s been more than a decade since Foxconn made international headlines after several workers committed suicide at the manufacturer’s iPhone factory in Shenzhen, China, which prompted revelations about inhumane working conditions. Now Foxconn’s facility in Zhengzhou, which produces about half the world’s iPhones, is under the media microscope. Viola Zhou of Rest of World kept in close contact with a few Foxconn assembly-line workers over the course of three months to capture what life is like in the mega-factory during peak production:
In December, as Western holiday shoppers were preparing Christmas presents, Foxconn renewed efforts to rev up its iPhone 14 Pro production. To attract a new crop of workers, the company again raised its pay. One contract seen by Rest of World promised a monthly bonus of 6,000 yuan ($885) if recruits worked at least 26 full days in December and 23 days in January. On social media, people described the proposition as the “60-day Foxconn challenge.”
Hunter had planned to return home once his quarantine ended, but the bonus made him reconsider. Going through a routine he was well familiar with, he lined up at the factory’s recruitment office, had his blood taken as part of a mandatory health check, and carried his belongings into an eight-person dorm room. The next day, he completed a mental health questionnaire, which asked whether he had insomnia or relationship issues — a practice that dates back to the spate of suicides in 2010 — and spent eight hours watching orientation videos on his phone. A frequent pop-up asking for a facial scan made sure he was paying attention. After three more days of quarantine, he started his most recent role — working the screws on the iPhone 14 Pro assembly line.
Inside the workshop, Hunter said he felt a kind of oppression he had never experienced in his previous Foxconn jobs, which were away from the factory floor. With no windows, he said that it was impossible to tell day from night without checking a clock. Managers required such a high tempo that he felt he could not stop for a second. Hunter even witnessed one colleague getting his pay reduced for spending too long drinking water. The constant scolding was humiliating, he said, even though he was rarely the target. Colleagues broke into tears under the stress.
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“The first time most people in Los Angeles heard of gay porn actor Billy London — a.k.a. Bill Newton — was when his head and feet showed up in a dumpster.” With a lede like that, a story promises to be riveting. Writer Kevin Rector delivers, telling the tale of a horrific cold case and the amateur sleuths who finally solved it:
The suspect was first identified as a person of interest in Newton’s murder not by detectives but by Clark Williams, a stay-at-home dad turned empty-nester. Williams became obsessed with the case after seeing so many similarities between the dead man and himself: He and Newton were born just a week apart in 1965 in the same part of northern Wisconsin, where homophobia was rampant, and each had fled to a bigger city to find a better life.
How Williams figured it all out, said lead Det. John Lamberti, was amazing.
“I like to think I’m a pretty good detective — been doing homicide for a while — and I never would have made this connection,” Lamberti said. “Not in a million years would I have come up with what Clark came up with.”
“The hair on the back of my neck stood up,” Williams said of the moment it all clicked. “I’m like, ‘What the f—? How is this possible?’”
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A handful of companies are making billions selling “less-lethal” weapons to police, militaries, and governments around the world. The consequences are devastating, as journalist Wil Sands knows all too well: He was shot in the face with a projectile while covering a 2020 protest against police brutality. (Read more about the experience of survivors like Sands in Long Lead‘s project “The People vs. Rubber Bullets.”) As a physician tells Sands in this piece for WIRED, less-lethal weapons are “as dangerous as the person firing them wants them to be.” Sands’s story is an examination of a problematic industry’s past, present, and future, told through an urgent personal lens:
The theory behind all less-lethal crowd-control devices, from the simple billy club to the infrared laser dazzler, is that they allow security forces to suppress a riot without committing a massacre. Law enforcement and military experts have described them, again and again, as a “humane” alternative to conventional arms—and often as the frontier of high-tech innovation. Perpetually just around the corner, it seems, is the widespread adoption of futuristic weapons like sticky foam, net guns, and heat rays.
That rhetoric obscures how remarkably stagnant the main menu of less-lethal crowd-control weapons has remained. Tear gas has been around for about 100 years, rubber bullets for 50, flash-bang grenades for 45, and Tasers for 30. The language has also masked how brutal these weapons can be, and how much they’ve been neglected by oversight bodies. Tear gas — probably the most important less-lethal weapon for crowd control — has been prohibited for use in war since the 1925 Geneva Protocol. But no international treaty bans countries from using it against their own citizens. Less-lethals are also specifically excluded from the 2013 Arms Trade Treaty, a binding agreement that prohibits the sale of weapons to countries with documented human rights abuses. And in the United States, the world’s leading producer of less-lethals, no federal legislation specifically regulates their manufacture.
Unhindered by the kind of oversight on production, sale, use, and export that applies to typical small arms, the less-lethals industry has been left pretty much to its own devices. It is to the armaments trade what dietary supplements are to the pharmaceutical industry: a supposedly more benign sector that is, in practice, largely unsupervised and often slipshod.
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At Emergence Magazine, Lucy Jones turns her keen eye to the many mysteries of slime mold and finds beauty, wonder, and higher truths in the moist crevices of her own back yard.
My eyes were starting to learn slime mold. My ways of seeing were altering, thanks to my new friends who were showing me what to look for. What was once invisible was quickly becoming apparent. It challenged my sense of perception. How little and how limited was my vision! How vast was the unknown world.
Iridescent rainbow orbs bursting into tangerine spun sugar. Pearly spheres of goo. Sorbet corn dogs leaning into one another with matching bouffants. Bright yellow blackberries. A bunch of Mr. Blobby’s babies. Golden goblets overflowing with effervescent honeycomb. Opalescent spherules in crinkled sweet wrappers. Amaretti flecked with flakes of soap.
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The finest romances have the messiest stories. Not messy as in poorly written; au contraire, a good romance hits all the highest points of storytelling — the meet cute, the ecstatic joy of turning enemies into lovers, the inevitable wrench in the works, middles full of will they-won’t they tension, and a resolution that’s either a happily ever after, happy enough for now, or a bittersweet goodbye.
I am feeling particularly entranced with the genre right now having just watched La La Land. Okay, look — it’s not going to be a movie for everyone. But me? I love a good musical. I love a good homage. And I love a good love story. The prospect of Ryan Gosling and Emma Stone maybe not ending up together because of the calls of their differing careers, but agreeing they will always love each other … well, let’s just say I needed several moments.
My husband is a working musician, and I’m a writer. This May, we will have been together for 16 years — eight in sin, eight married, and all 16 sharing creative careers that don’t always align. Ours has been a romance of nights apart, beautiful Sundays together, opposite schedules, and ships passing in the night.
There is a montage in La La Land that shows this all-too-familiar lifestyle of two artists — Gosling lands a big gig and is gone nights, while Stone is wrapped up in writing her one-woman play, rising early and going to bed early, so over the course of their days they end up sharing only bed space. This is the moment I shout to my husband, in the bedroom preparing for his Friday night gig: “Oh shit, La La Land just got too real.”
I go to the bedroom and tell him about the scene. He listens to me, buttoning his shirt and smiling his sad smile. We agree that his current Friday and Saturday night gig schedules are not ideal. He wraps me in a hug and we stand there, as I watch the time on our alarm clock over his shoulder. He is late.
That image of a long-haul couple eating breakfast together, sharing a morning coffee, splitting a bottle of wine after a long work day, reading books together in bed before falling asleep in each other’s arms — that has never been our reality. Do I wish it was? Certainly. But he will never ask me to give up my writing, and I will never ask him to stop playing music. The messier our lives, the more years we have together, the more we realize the value of writing our own story. Will we, won’t we make it? We’ll just have to wait and see.
This is where the great, messy love stories come in handy — I don’t need our marriage to look a certain way to have hope. Because if I’ve learned anything from these stories, it’s the messiness, not the ideal, that strengthens a relationship. Our marriage survives because we appreciate the possibility that it may not.
So don’t give me any of that happy ending bullshit. Give me the complicated, the missed connections, the big gestures, the bittersweet endings. Give me the struggle, because it’s the struggle that makes it love.
Anyone who has actually experienced marriage knows that the saying “marriage is bliss” is woefully incorrect. Not because marriage is about petty arguments or seeing sides of your spouse you’d rather not see (think the Seinfeld episode where Jerry dates a nudist and then opines on the difference between “good naked” and “bad naked.”) The truth of the matter is that marriage is a little bit of good naked and a whole lot of bad naked, especially during a pandemic when fears run high and aging in-laws who live across the country are deteriorating.
Choi’s essay takes a singular comment from her husband and encapsulates it as a defining “bad naked” moment in their marriage. And, as she says, “I have never loved him more than in that moment.” As someone who has had her share of “bad naked” marriage moments, I can attest that this essay rings with glaring honesty.
Everything he’d done in support of me and my family was noble. Selfless. Bodies are a constant fucking betrayal, and that he’d strapped himself to another one that was in turn attached to a whole human centipede of decrepitude was deeply affecting. But then he’d admitted not only his reservation but his scorn. How it ran counter to his most primal instincts of self-preservation. Were he alone, with his discipline, his self-sufficiency, his precious solitary walks on Far fucking Rockaway, he’d survive this. Meanwhile, I’d demanded we head to the airport. I dared him to say no, because I knew he couldn’t. This was marriage.
Just stick with me on this one. We all remember that one guy, Martin Shkreli, who became universally known as the biggest asshole on the face of the earth for raising the price of a life-saving pharmaceutical by 5,000% overnight. Top this objectively awful-for-humanity move with his love of trolling, his shit-eating grin, and his obscenely expensive purchase of a one-off Wu-Tang Clan album — because of course, a Wall Street Bro would spend an inordinate amount of money on that. Now add in a journalist who is damn determined to humanize him. Or is she also being trolled?
I’m not saying this story is a great love story. But it will enrage you, confuse you, and make you question the patriarchy. (In a follow-up, Smythe, the journalist, insists she is acting of her own accord and that it is sexist to imply that she is in any way a “victim.”) Is she being used by the Pharma Bro to recoup his image? Is she using him to get a big-money book deal? Are they actually in love? Or has she, in the words of one of her journalism professors, ruined her life? Settle back with some popcorn for this one.
When Shkreli found out about this article, though, he stopped communicating with her. He didn’t want her telling her story, she says. Smythe thinks it’s because he’s worried about fallout for her. While she waits to hear from him, she monitors Google Alerts for his name, posts in support groups for loved ones of inmates, and—because inmates must place outgoing calls and can’t accept incoming ones—hopes one day he will call or reply to one of her emails. “It’s completely out of her control,” Haak says; all she can do is “sit around and wait and hope.”
Smythe has only one photo of the two of them, propped next to her bed. Shkreli, his arm around Smythe, has a wide-open smile. “Doesn’t he look human there?” Smythe says, laughing.
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God, there are so many good lines in this one, it’s difficult to figure out what I want to highlight the most. Davis, a wickedly funny writer, recounts her decade of Tinder dating and how the longest relationship she’s managed to be in from it is with Tinder itself. She downloads, has great sex, has terrible sex, falls hard with men who ghost her, ghosts men who fall hard for her, deletes the app, tries traditional dating, and re-downloads it again and again in a vicious but unrelenting circle of who gives a shit. As one of the “smug couples” who “sigh with relief when they say, ‘I’m glad I met my partner before there were apps,’” let me just say … I’m glad I met my partner before there were apps, but part of me has always wondered what it would be like to have the world as your sexual oyster in the way Tinder allows, delicious or rotten as it may be. If romance is messy, then Tinder romances take the cake. What is most apparent: Davis has a wealth of great stories to tell.
I first downloaded Tinder in the spring of 2013, seven months after it launched. I’d heard about it as a concept (Grindr for straights) but felt exempt from needing it until one evening at the tail end of a drawn-out breakup with someone I’d told myself I would marry. We were at a restaurant in San Francisco, having one of too many brutal good-bye dinners that led to this-is-the-last-time-I-swear sex, and I put the app on my phone in front of him. He stoically chugged his negroni while I marveled at the hundreds, presumably thousands of men who were waiting for me on the other end, should he decide to go through with the breakup. “Look!” I said, waving my iPhone 5 in his face. (I didn’t mention that at this early point in the app’s history, it was mostly populated by 20-year-old college students and S.F. tech bros who exclusively wore free T-shirts from start-ups.) By June, my boyfriend had gone through with the breakup and moved on — quickly and not via app — to a woman he’d met through mutual friends. I wanted to die. But instead of the sweet relief of death: Tinder.
“In kink, consent is queen,” thus you need to understand what you’re going to get into before you read this essay. The piece centers around Jarrar’s visit to a queer kink club where the first thing we see/read is Mx. Cele enjoying a knife in intimate spaces. At the club, everyone is asking permission to touch, taste, and harm. It’s a mind warp to think of harm and consent working with, not against, each other in the same sentence, but that is what this entire essay does. I loved it for its deft balancing act — the daily negotiations of asking for what we want, not being asked before something is taken, and the sexual freedom and safety of owning our own bodies in a culture that feels entitled to it.
I didn’t have a lock on my door until I moved away from my parents’ house. The last time I was abused, I was sixteen years old, and my father chased me around the house with a knife. I ran outside and he came after me. I ran back inside, and he finally put the knife down. But afterwards, I called the police. I’ve written before about what happened when the police came- how I smoked a cigarette with the cop who drove me to the station; how that cop later told me that my father being Arab would be a problem. I understood that this meant it would be a problem for my mother, and for me. I dropped the charges against him a few weeks later. But that didn’t change that I had been very afraid of my father and very afraid of that knife.
And to round out this reading list, I have for you a beautiful love story. Not traditional, definitely fluid, but more romantic than most of the other narratives out there. Boy, born biologically female, meets girl, born biologically male. It’s love at first sight. They throw caution to the wind to be together in the most honest way they can — genderqueer, fluid, trans, and finally, the first queer couple legally married in the state of Texas. Grab your tissues for this one. (And for you journalism nerds out there, enjoy a conversation in the comments about the editorial choices in names and pronouns as one character, Johnny, transitions over the course of the piece.)
Now that there is marriage equality, they want to get married again, with a license that better reflects who they are — not husband and wife — but partner and partner. “When you give sexual consent, you cannot give a blanket consent at the beginning of an evening or for the rest of your life,” Johnny explains. “And we feel the same way about marriage.” So they continue to propose to one another nearly every day. Once Johnny fingered the question into the soot on Ashley’s back windshield. Just last month, Johnny wrote, “Will you marry me?” “Yes” and “No” in backwards cursive in different places on their body so that Ashley could snuggle up to her answer, letting it legibly transfer onto her skin. They write it in each other’s notebooks and songbooks to discover who knows how long later. With each proposal, they affirm their love and devotion to their partner in their current identity. For they know more than anyone else how fluid one’s identity can be.
***
Lisa Bubert is a writer and librarian based in Nashville, Tennessee. Her work has appeared in The Rumpus, Texas Highways, Washington Square Review, and more.
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It doesn’t matter if you’re not a Joe Montana fan. Or a Niner fan. Or an American football fan, for that matter. Wright Thompson’s profile of the former San Francisco 49ers quarterback is an astonishing, beautifully written, and revealing piece about the highs and lows of being the greatest of all time — and what it’s like to watch someone else step in to take the throne.
Montana’s children say he likes being recognized more now than he did at the peak of his powers. He knows what it is like to be both canonized and forgotten. “I can see that heartbreak in my dad a little bit,” his daughter, Allie, tells me. “The more distance he gets from his career, the more time he spends reminiscing on stories.” But he’s learning to make peace with slipping from the white-hot center of the culture, too. His most recent Guinness commercial has him at a bar where he laughs when some young guy asks if he used to play pro tennis.
Stretched out before Brady is his road to contentment. The man in the video has a long way to go. Montana knows about that journey. He understands things about Brady’s future that Tom cannot possibly yet know. On the day Brady quit, Montana’s calendar was stacked with investor meetings for the two new funds he’s raising. When he heard the news, he wondered to himself if this announcement was for real. Brady had traded so much for just one more try. On the field he struggled to find his old magic. His cheeks looked sunken. His pliability and the league’s protection of the quarterback had added a decade to his career. But along the way they also let his imagination run unchecked. Brady’s body didn’t push him to the sidelines. He had to decide for himself at great personal cost. Montana was never forced to make that choice. He had to reckon with the maddening edges of his physical limits but was protected from his own need to compete and from the damage that impulse might do. For all his injuries took from him, they gave him something, too.
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