John Koopman worked at the San Francisco Chronicle for years—until one day, he didn’t anymore. That’s when he started learning about himself. A tight, terse, almost hard-boiled piece of remembrance that started with Economic Hardship Reporting Project and ended up at Rolling Stone.
It would be more noble to say that I smuggled drugs out of economic desperation, but that’s not true. I liked the rush. I also liked the people I dealt with, and the exposure to the human condition. Even after twenty-five years in journalism, I never knew humanity the way I did working at a strip club and moving product. In the dark, you see people close up. You learn who has a good soul and whose is muddy. You have to trust your gut. People will show themselves to you and it’s important that you listen.
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A fearless investigation into child migrant labor. Reconstructing an activist’s tragic killing. A trip back to the place you once called home. A character study dressed as a plumbing mystery. A new look at an old trope. All that and more in this week’s installment.
Jason Fagone and Julie Johnson | San Francisco Chronicle | September 19, 2023 | 9,717 words
In 1969, charismatic Mohawk activist Richard Oakes led the occupation of Alcatraz, an island that was once Ohlone land. The “invasion” was in protest of the U.S. government’s treatment of Native Americans, and an act of reclamation. Oakes became the face of the “Red Power” movement, inspiring protests across the country and laying the groundwork for expanding Indigenous rights. Decades later, however, his name is largely unknown. In 1972, at just 30, he was fatally shot in the woods north of San Francisco, unarmed, by a wilderness camp caretaker who claimed self-defense. After a trial in which his shooter was acquitted, his loved ones believed that Oakes had been targeted because of his Native identity and activism. Jason Fagone and Julie Johnson dig deep to reconstruct, with meticulous detail, the events leading up to Oakes’ death. (Kudos to the whole Chronicle team for the immersive design, placing the reader right there in Oakes’ final moments in the woods.) They interview family, prosecutors, and law enforcement, and draw from hundreds of government records and secret FBI files obtained through FOIA—information never revealed during the trial—to fill in the gaps. Their words alone are powerful, but the digital presentation, including portraits of fellow activists, officials who were involved in the case, and Oakes’ living family members, come together to tell an important story about a forgotten civil rights leader. —CLR
Shruti Swamy | AFAR | September 19, 2023 | 2,173 words
Shruti Swamy plumbs childhood memories of Mumbai, India, as she returns for the first time as a wife and mother. This is a lovely, striking meditation on what it means to return to a place you once knew—and to show it to those you love. Swamy’s dissonance is palpable when she struggles to be understood in Hindi and to navigate a city altered by time. She asks: “But is there a moment, a meal, an exchange that will make Mumbai legible to us?” As the young family visits markets, beaches, and street vendors, Swamy revels in the smells, sights, sounds, and tastes of the city. She recounts the pleasure of promised coconut cream for her four-year-old daughter and the street bite that made me want to book a plane ticket: “My husband will tear into a lifafa wrap from Swati Snacks, the both of us nearly shouting at the exquisite mix of mint and fat, the slow burn of chili. Like biting into art.”As a reader, it’s wonderful to watch as her persistence is rewarded: “Moment by moment, this city will teach me to stay awake to the present, to pay attention, to follow the thread of human connection, to take pleasure where it’s found.” If this is what it means to go home again, count me in. —KS
John Jeremiah Sullivan | Harper’s Magazine | August 14, 2023 | 3,700 words
I have a fear of needing to call a plumber to my house. Experience has taught me they will inevitably sigh, then inform me that whoever last ventured near my dodgy pipes was a cowboy, with hundreds of dollars now needing to be spent. My anxiety is so great that—to my immense pride—I recently fixed a running toilet myself, tying down the ballcock with a sparkly purple ribbon I found in the knickknack drawer. (A cowboy job indeed.) Obviously, I leapt to read John Jeremiah Sullivan’s delightful piece about his own plumbing woes. His innocuous opening sentence, “Here is the tale of something plumbing-related that happened at my house[,]” belies the rollercoaster journey you are about to embark on. Halfway through, I was just as invested in where that mysterious sewage smell was coming from as Sullivan. To find the solution, we have to go rogue, bringing in Greg and Fran, plumbers with “crackhead power” from the underbelly of the contractor world. Having never known of this mysterious plumber stratum, I devoured the glorious descriptions of these two men, Sullivan conjuring them from the page until I felt they stood in front of me: Fran with his buzzcut and denim culottes, bitching about Greg; Greg with his “formidable gray mustache, strong hands, and wild, piercing eyes” talking at length about bowel movements. Sullivan may be as flummoxed by plumbing issues as I am, but he is a master in character study. —CW
Kristen Arnett | Vox | September 18, 2023 | 1,634 words
Have you played the game Florida Man? It’s simple: type your birthday (month, date) and “Florida Man” into a search bar. You will be regaled (as I was) with not one, but several inane crimes committed over the years by men in Florida. As Kristen Arnett explains, “These crimes are odd and incomprehensible; the kind of behavior that someone might associate with a badly behaved toddler whose brain has yet to fully develop.” I had several to choose from; my favorite was the Florida Man who was caught on video driving down I-4 while standing up, his upper body poking through the sunroof. Arnett explains that the game is made possible because of the Sunshine Law, which makes arrest records and mugshots “readily available online for the general public to gawk and point at. If you’ve committed a crime in the Sunshine State, that information becomes accessible to everyone, everywhere, immediately.” This piece is far more than just a litany of bizarre behavior. Arnett, a third-generation Floridian, suggests that while the Florida Man meme makes it easy for outsiders to dismiss the state as the epicenter of America’s ills, we need to look deeper. “I think the harder lesson is that Florida is no different from anywhere else; the headlines just turn our hardships into a joke to make things more palatable,” she writes. “We can’t and won’t disregard the fact that we’re going to stay strange and continue to be completely, authentically ourselves; we also can’t forget the wonderful alongside the troubles.” Maybe it’s time we embraced that little bit of Florida Man in all of us. —KS
Audience Award
What was our readers’ favorite this week? The envelope, please.
Bianca Fortis and Laura Beil | ProPublica | September 12, 2023 | 8,522 words
For more than two decades, patients of an OB/GYN named Robert Hadden warned Columbia University that he was sexually inappropriate and abusive. One woman even called the police and had him arrested, but Hadden was allowed to return to work days later. In other disturbing incidents, patients describe Hadden’s colleagues brushing off his behavior, or even looking away while in the exam room. Over the years, Hadden’s superiors failed to take action. To date, more than 245 patients have alleged that the obstetrician abused them, and Columbia—a prestigious institution committed to “the highest standards of ethical conduct”—continues to aggressively fight new lawsuits from his victims. This is a piece of tremendous reporting—but it’s also deeply triggering and upsetting. —CLR
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Vauhini Vara is no stranger to AI-assisted writing: her 2021 Believer essay, “Ghosts,” was widely read and hit a nerve in so many readers, including all of us at Longreads. More than two years after publishing that piece, Vara reflects on the whole experience: what drove her to experiment with OpenAI’s GPT-3 in the first place; what she learned about text generators from co-writing the Believer essay with AI and tinkering with Sudowrite; and what she’s realized about the limitations of AI, and our current language models, in creating literature. Vara also warns us about Big Tech swallowing language itself—in the same way it’s transformed Very Human Things like friendship and community. These are poignant reflections and questions from a thoughtful writer.
In my opinion, GPT-3 had produced the best lines in “Ghosts.” At one point in the essay, I wrote about going with my sister to Clarke Beach near our home in the Seattle suburbs, where she wanted her ashes spread after she died. GPT-3 came up with this:
We were driving home from Clarke Beach, and we were stopped at a red light, and she took my hand and held it. This is the hand she held: the hand I write with, the hand I am writing this with.
My essay was about the impossibility of reconciling the version of myself that had coexisted alongside my sister with the one left behind after she died. In that last line, GPT-3 made physical the fact of that impossibility, by referring to the hand—my hand—that existed both then and now. I’d often heard the argument that AI could never write quite like a human precisely because it was a disembodied machine. And yet, here was as nuanced and profound a reference to embodiment as I’d ever read. Artificial intelligence had succeeded in moving me with a sentence about the most important experience of my life.
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In 1969, gifted and charismatic Native American activist Richard Oakes led the nonviolent occupation of Alcatraz, an act protesting the U.S. government’s treatment of Indigenous people and reclaiming of Ohlone land. Oakes became the face of the “Red Power” movement, inspiring other protests across the country. In 1972, he was shot and killed in the woods of rural Sonoma County. Through interviews with family members and law enforcement officials and access to hundreds of government documents and FBI files, Jason Fagone and Julie Johnson meticulously tell Oakes’ story, including his early activist years at San Francisco State, the events leading up to this death, and the aftermath of the manslaughter trial of Michael Oliver Morgan, the man who shot him. Fagone and Johnson’s words alone are powerful, but the animation, illustration, and photography in the story’s digital version add an effective visual layer.
Dispatches from a fracturing America spread across the front page of the Chronicle on Nov. 11, 1969. Richard Nixon’s administration railed against anti-war protesters; police in Memphis sprayed tear gas into a crowd of young Black people opposing segregation. But the lead story that day was Alcatraz. “A war party” of 14 “young Indian invaders” had claimed the island, calling themselves the Indians of All Tribes and naming Oakes their “president-elect.”
Celebrities including Jane Fonda and Anthony Quinn soon declared their support, sailing to Alcatraz one day on a boat purchased for the protesters by the band Creedence Clearwater Revival. The occupation was becoming a ’60s event, tugging at politics and pop culture. But another set of visitors went largely unnoticed by the media. In the last weeks of 1969, delegations from tribes across the country journeyed to the island, curious to see what this new nation looked like. Oakes asked these elders for guidance, and they in turn asked for advice on land fights in their own territories.
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Shruti Swamy returns to Mumbai as a wife and a mother after many childhood trips to spend time with family. In a voice that’s evocative and lyrical, Swamy braves the dissonance that time and distance can impose on those who return and is rewarded with fond, newly minted memories of food and time shared.
I remember every inch of it: the mineral smell of the staircase, the daybed where I spent hours as a child reading piles of Reader’s Digests. The cool tile floor I’d lie on when the heat was overwhelming, the dark kitchen in which some of the most spectacular meals of my life were created. The almirah in the bedroom that held my grandmother’s starched, mothball-scented saris.
There is no city more beautiful and richer with personal history to me than this one—where my parents grew up, fell in love, and left in their twenties for America. And yet, there is also no city in which I feel more out of my depth. Growing up, I’d visit for weeks at a time but rarely see anything of Mumbai. Passed like a parcel between family members, I never touched money, never went anywhere alone, and spent most of my time in the rooms of my relatives.
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The forty-fifth season of Survivor, the OG reality competition show, premieres next week. (Sidenote: looking at recent photos on social media, host Jeff Probst doesn’t seem to age.) I’m not a super fan, but I’ve still watched a good handful of seasons, and I enjoyed this behind-the-scenes look at how this season’s final players were selected. Over eight months, the crew whittled down a pool of 25,000 applicants to a shortlist of 30 hopefuls, then 24, and eventually the final 18 players.
What are finalists’ audition videos like? What traits do the producers look for? (Spoiler: drive, self-awareness, and the ability to tell a good story.) Dalton Ross traces the journeys of five different players from the new season. Snippets of their audition videos are entertaining to watch, and Probst’s notes on people’s interviews are also fun to read.
The approximately 24 people who make it past all of that are eventually brought out to Los Angeles in February for the in-person meetings that constitute the last round of casting finals. “If a player is going to panic, this is the stage where it happens,” says Probst. “The pressure ratchets up when the room is full of producers and CBS executives. This too is by design. If you drop the ball at this stage, you probably won’t get on the show this season.” Once those in-person L.A. interviews are complete, the casts for the next two Survivor seasons are finally set.
It’s a long, arduous experience. But for Brandon Donlon, the casting journey started much, much earlier than all of that. Brandon still remembers watching Survivor for the first time during the Gabon season in September 2008. “It felt like this religious experience,” he explains. “It felt like I was watching some higher power who was like, ‘This is going to change your life. Whatever this thing is, you have to do it.'” He immediately sent in an application. Just one problem: Brandon was 11 years old.
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In taking a deeper look at the Florida Man meme, third generation Floridian Kristen Arnett suggests that while it’s easy to point the finger and laugh, maybe we should be more curious about what the chaos says—not just about the Sunshine State—but about ourselves.
The umbilical cord of my Floridian existence has long fed and fueled me, dictating the kind of writer that I’ve inevitably become; someone focused on the messiness of the body, the outlier, the bizarre, a person who craves questions and mystery. Florida refuses to be pinned down. It is that very refusal — a resistance to being known, to being stable — that continues to enthrall and delight those who speak about it. There’s something magnetic about this place.
Maybe I don’t want to reclaim Florida Man. Perhaps I just want to reimagine it. Transform it, turn it into the thing that Florida could someday become and often is. Understand it, finally, as a place that refuses to be categorized. To show care to myself and to the people who live here and our continued questioning and unknowing. In that way, I embrace the roiling sea of Florida Men as my community; as a collective that I can contribute to in a helpful way. We can’t and won’t disregard the fact that we’re going to stay strange and continue to be completely, authentically ourselves; we also can’t forget the wonderful alongside the troubles. We can claim our state proudly, even to sympathetic strangers. We can stay, and live, and thrive. Wacky headlines don’t describe me personally any more than they describe anyone else in Florida. Strange things happen every day, everywhere.
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John Jeremiah Sullivan manages to tell a marvelous story all about plumbing, with his prose taking you to the heart of his stinky dilemma and bringing to life the characters he finds to solve it. A fun tale that bounces along merrily.
Oh, Fran! I will never forget that man, the only man named Fran I ever met.
Let me try to summon and draw him as he was when I first set eyes on him.
He wore not cut-off shorts but those denim culottes that hang to your shins.
He wore a white T-shirt covered in stains. He wore white high-top sneakers.
Between the sneakers and denim culottes, his white gym socks were visible.
He was about five feet four and had a buzz cut. The top of his head was flat.
I mean, it was completely flat, to a degree where you couldn’t help noticing.
A vape pen hung from his neck—I don’t actually think Fran was a crackhead.
He moved slowly and was usually smiling. This wasn’t crackhead behavior.
To me he always gave off the distinctive vibe of the weed-pills-cigarettes man.
He looked at you dreamily as if he’d just woken up. He talked the same way.
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At the very outset of Hannah Dreier’s searing investigation, a 14-year-old named Marcos nearly loses his arm while cleaning a chicken slaughterhouse. Given that word, “nearly,” it’s understandable that you’d hope for some kind of happy resolution. But just because Marcos keeps all his body parts doesn’t mean that something fundamental hasn’t been ripped away from him—or any of the other thousands of migrant children who come to the U.S. and work dangerous overnight jobs in hopes of helping their families. A difficult read, but a necessary one.
While teenagers work legally all over America, Marcos’s job was strictly off limits. Federal law prohibits 14- and 15-year-olds from working at night or for more than three hours on school days. Older teenagers are allowed to put in longer hours, but all minors are barred from the most dangerous occupations, including digging trenches, repairing roofs and cleaning slaughterhouses.
But as more children come to the United States to help their families, more are ending up in these plants. Throughout the company towns that stud the “broiler belt,” which stretches from Delaware to East Texas, many have suffered brutal consequences. A Guatemalan eighth grader was killed on the cleaning shift at a Mar-Jac plant in Mississippi in July; a federal investigation had found migrant children working illegally at the company a few years earlier. A 14-year-old was hospitalized in Alabama after being overworked at a chicken operation there. A 17-year-old in Ohio had his leg torn off at the knee while cleaning a Case Farms plant. Another child lost a hand in a meat grinder at a Michigan operation.
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It takes about 10 minutes to read Adam Shatz’ searching, incisive piece about the late Pharoah Sanders’ only-just-released 1977 album, Pharaoh—in other words, half the length of the album’s opening number, “Harvest Time.” Read the first few paragraphs, then cue up the song so you can experience them together. One of the most pleasing multimedia experiences you’ll have this week.
When Sanders reappears, he explores the range of his instrument, sometimes letting out cries that suggest the falsetto leaps of a soul singer, at others descending, with a quietness bordering on secrecy, into the lower registers of the horn—all the while never losing the thread of the melody. Halfway into the piece he plays his signature flutter, but it’s unusually understated for Sanders, and instead of rising to a scream he descends, accompanied by Muñoz and Neil, into the softest of whispers, until we hear nothing but his mouthpiece—something a more “professional” recording might have corrected, but which only adds to the music’s sensuousness. After the sounding of a gong, Bedria Sanders enters on harmonium, producing a drone that moves toward us and recedes, a sound that Pharoah mimics with long, undulating tones.
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Inspired by the Indian Premier League, a popular annual spring tournament watched by half a billion people around the world, Shoeb Davda established his own livestreamed cricket tournament from a remote village in India. But the “stadium” was fake, and the games were all fixed. Why attempt such a scheme? On the surface, the answer is easy: the tournament would attract online bettors, which would mean money for the struggling businessman. But as Sean Williams peels back layers and descends into a world of rigged games and online scams, he discovers a larger, shadowy network and money-making machine making the calls.
The cops had identified Davda as the mastermind of the Molipur cricket scam—and that’s how he had been portrayed in global media. As he told his story, standing on the stoop of the bangle store, the notion that Davda was a criminal mastermind evaporated quicker than a lassi in the Gujurat sun. If anything, he was one of the tens of thousands of victims of human trafficking from India each year—of which Gujarat is a key source. What happened in Molipur was clearly being directed by Davda’s former captors. But Davda refused to elaborate on Misha.
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Apparently, the world of UFO experts can be a bitter one, and Nick Pope—who plays upon his image as the ‘Real Fox Mulder’ with numerous media appearances—has attracted criticism. Is he actually such an expert? Is anyone? Francisco Garcia carries out some detailed reporting to find out.
Despite a dedicated fan base and hard-won media career, Pope is by no means a universally beloved presence in ufology’s complex ecosystem. For some, the very fact of his previous employment is enough to render him a figure of permanent suspicion. To others, it boils down to a very different question: what if Pope’s claim to have run the UK’s alleged UFO project wasn’t as clear cut as made out. What if, they ask, it isn’t quite true?
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I came to librarianship the way most other librarians do: I fell into it. After a full-time job that had thoroughly burned me out, I found a student job in the college library; this one was part-time and entailed reshelving large academic books and sitting at the big circulation desk with a stamper, ready to land that perfectly placed due date. It came with a lot of quiet and a lot of time to read—excellent for repairing burnout, terrible for teaching me what working in libraries was actually like.
People who do not work in libraries tend to have a romanticized view of what it is to work in libraries, and I was no exception. Once I graduated and needed to find another job, I did the next best thing and applied to work at a public library as a library associate in the children’s department.
Unlike my last library job, this one was not quiet, did not come with reading time, and after seven years, thoroughly re-burned me out so hard I would spend years unlearning toxic workaholic traits I’d picked up there (an unlearning that is still in process). This particular public library served a population of 200,000 well-educated, affluent, self-described library lovers. They were also Tea Party Texans who saw taxes as an affront to their personal liberty; they loved the library, just not enough to fund more branches or a larger staff.
The place was as busy as a Target on Saturday every day of the week. And because we were the only library in town, we ran the place like an amusement park. Story time was a back-to-back affair—every half-hour from 10 a.m. to noon, Tuesday through Friday—and was filled to capacity for nearly every slot.
While our patron base was mostly conservative, white, and straight, we wanted our collection to reflect the community it served—which also included a large immigrant population and a handful of queer families. With that in mind, one of our librarians used story time to read The Family Book by Todd Parr. The Family Book won a Scholastic Parent and Child Magazine Best of 2003 Award; it also contains a single page that says “Some families have two mommies; some families have two daddies.” One parent raised such a stink with our manager that we were told to stick with reading “noncontroversial” books at story time, lest we risk losing all the queer books in the collection.
This was in 2013. Ten years later, things haven’t changed for the better. I still work as a librarian, albeit in a different major Southern city. But my work has changed drastically. I’m trained in violence de-escalation, trauma-informed reference, and medical and mental health first aid, which includes overdose prevention training. I have intervened in fights, talked people down from suicide, removed domestic violence victims from their abusers, hugged strangers, and been screamed at and threatened. My coworkers once solved a murder.
Yes, sometimes I even recommend books. But increasingly, being a librarian is less and less about books and more and more about community survival. We are a lifeline for populations that have slipped through the spaces in a weakening social safety net; we are a target for organized harassment and censorship campaigns. Yet, people are grateful for our help. They hold our hands and thank us, they tell us we are blessed, they say they can’t believe someone so kind found them so deserving of love.
In library school, the threats of censorship and propaganda were drilled into us constantly—but mostly in the context of past authoritarian regimes, and never with the idea that past might become present. The last three years, in particular, have been difficult ones in librarianship, but they are also the ones in which I have felt most committed to the job. The work I’m doing now is possibly the most important of my life.
“Have you been to the library lately?” asked Nicholas Hune-Brown in The Walrus earlier this year. No, really—have you? Because whatever ideas you have about what it’s like to work in libraries these days, I can assure you it’s not like that. It’s frustrating, depressing, and underpaid. It’s also life-affirming. Some days feel like utopia; many days feel like war. That’s life on the library front lines. Welcome.
When I first read this piece, I saw something I hadn’t in a long time: a realistic portrayal of life in public libraries. In fact, it inspired this very reading list.
Hune-Brown doesn’t mince words, doesn’t shy away from hard truths, but also doesn’t only focus on the toxic mix of vocational awe and trauma porn that currently overshadows life in public librarianship. Yes, the job is necessary, even admirable. Yes, it’s extremely difficult and downright dangerous at times. No, none of us who got into libraries expected to be doing this kind of work. But what I love most about this piece is that Hune-Brown cuts right to the heart of the issue. If a society feels it acceptable to cut funding to social necessities like housing, education, and healthcare, are we really that surprised that that same society wouldn’t see a problem with allowing an underpaid, women-driven profession such as librarianship to pick up the pieces?
When people tell the story of this transformation, from book repository to social services hub, it’s usually as an uncomplicated triumph. A recent “love letter” to libraries in the New York Times has a typical capsule history: “As local safety nets shriveled, the library roof magically expanded from umbrella to tarp to circus tent to airplane hangar. The modern library keeps its citizens warm, safe, healthy, entertained, educated, hydrated and, above all, connected.”
That story, while heartwarming, obscures the reality of what has happened. No institution “magically” takes on the role of the entire welfare state, especially none as underfunded as the public library. If the library has managed to expand its protective umbrella, it has done so after a series of difficult decisions. And that expansion has come with costs.
Let’s go back to the basics of the censorship conundrum libraries currently find themselves in. When I started working in libraries 15 years ago, we regularly talked about how librarians were some of our most trusted public servants, right behind firefighters and nurses. Book bans were vestiges of the past; when they came up, our minds would settle on imagery from Nazi book-burning parties and the cover of Fahrenheit 451. Phew, we said. At least we don’t have to deal with that anymore.
Fast forward to 2023 and librarians are being cast as public enemy number one, pedophiles, and groomers-in-chief, courtesy of extremist groups like Moms For Liberty. The year 2022 saw a record 600-plus book challenges leveled against library collections, and 2023 is on track to beat that number handily. From the outside, this might appear to be a groundswell of public support for censorship—however, a May 2023 study showed that the majority of book challenges being leveled at library boards around the country originated with eleven people. Eleven.
Abramsky’s piece is a perfect cross section of the nationwide fight, distilled into one rural library’s story. Library lovers had better wake up, because the other side is currently going faster than we can drive.
In the coming years, the conservative three-person Board of County Commissioners will likely continue to appoint people to the library’s board who reflect the values of Ruffcorn and her fellow petitioners. In other words, Ruffcorn could lose in November and yet still ultimately come out on top, setting a precedent in which a few angry citizens would get to dictate to librarians which books should carry warning labels, or be relegated to the top shelf of the adult section, or require parental approval for a child to check out.
Speaking of library lovers needing to wake up to the myriad threats facing public libraries, I feel compelled to highlight this Substack from Karawynn Long that dives deep into the now-defunct user recommendation feature from OverDrive (the increasingly powerful middle man between e-books, libraries, and their patrons) and what it portends for the other outsourced reader services libraries have come to rely on.
Long is a library lover herself, and she highlights an uncomfortable truth about libraries and how they must exist in this increasingly capitalistic world: we have to buy in to our exploitation in order to survive. And because we’re forced to buy in to this exploitation thanks to the popular tech business practice known as “functional monopolism,” libraries are vulnerable to the whims of those vulture businesses, such as KKR (who also recently purchased Simon & Schuster), who exist to extract ever more money from their customers—libraries.
Every extra dollar that KKR sucks out of libraries is another dollar they don’t have for buying books, or for librarian staffing, or for supporting any of the dozens of other small but important services that public libraries provide their local communities, like free access to computers and the internet. Some libraries that already struggle for funding might be starved out of existence…. And if OverDrive goes belly-up at some point in the future, crushed by KKR’s leveraged debt, it’s going to take down access to the digital catalogs of nearly every public library in North America. Between now and then, I expect the user experience to degrade precipitously. The removal of the recommendation feature, I believe, is the canary in the coal mine.
Chip Ward’s heartbreaking essay has been cited by many in the library sciences tasked with advising new recruits. Written in 2007, it treats the idea of library as social safety net as a little-known concept. Ward talks about going to conferences on housing and homelessness, and other attendees wondering what in the world a librarian would be doing there. Now, librarians, housing advocates, social workers, and first responders are all too familiar with the work the others do; while I’d like to consider this a win, it only proves that we are more than 15 years down the road and conditions have only remained the same—that is, if they haven’t worsened.
In the meantime, the Salt Lake City Public Library — Library Journal’s 2006 “Library of the Year” — has created a place where the diverse ideas and perspectives that sustain an open and inclusive civil society can be expressed safely, where disparate citizens can discover common ground, self-organize, and make wise choices together. We do not collect just books, we also gather voices. We empower citizens and invite them to engage one another in public dialogues. I like to think of our library as the civic ballroom of our community where citizens can practice that awkward dance of mutuality that is the very signature of a democratic culture.
And if the chronically homeless show up at the ball, looking worse than Cinderella after midnight? Well, in a democratic culture, even disturbing information is useful feedback. When the mentally ill whom we have thrown onto the streets haunt our public places, their presence tells us something important about the state of our union, our national character, our priorities, and our capacity to care for one another. That information is no less important than the information we provide through databases and books. The presence of the impoverished mentally ill among us is not an eloquent expression of civil discourse, like a lecture in the library’s auditorium, but it speaks volumes nonetheless.
I’d like to end a difficult reading list with this universal truth: public libraries and their librarians are scrappy. Always have been. Over and over again, the world proclaims the death of libraries; over and over again, libraries respond by ascending from the grave. Don’t count us out, and don’t call our resilience a comeback.
Kate Harloe’s piece provides a perfect example of a library understanding its role in a community and leveraging it to better serve the public. Here, the Albany Public Library pairs with the local newspaper to provide citizens with publicly funded, community-owned and accessible journalism, the library and local journalists reporting and publishing community stories together. As Harloe puts it, people may not trust the media but they “really, really love the library.” And why wouldn’t they? Libraries are the last place where “your ability to exist as a human being doesn’t depend on your ability to pay.” Combine that with quality community reporting that isn’t hidden behind a paywall and you’ve got a KO combination.
As she finished speaking, the crowd was in tears. There were many reasons for that, but for me, one was the way in which Koepaomu captured how libraries feel—how, often, they can be experienced as places outside of space and time; as small territories to retreat from the unstable, transactional realities of the world, and as pathways to a sense of belonging, and even safety, in a deeply unsafe time. Libraries represent the best of our efforts to take care of one another. Their ongoing existence is a reminder that—not just in some far-off future, but even today—other ways of being are possible.
Lisa Bubert is a writer and librarian based in Nashville, Tennessee. Her work has appeared in The Rumpus, Texas Highways, Washington Square Review, and more.
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In the fall of 2022, journalist Zarina Zabrisky visits Pripyat and Chornobyl, Ukraine, after being “asked to investigate whether the Russian Army dug trenches in the radioactive zona during the invasion.” She meets with samosel—members of the community who returned to the exclusion zone to try and live out their lives in peace—despite the radioactive fallout of the 1986 nuclear power plant explosion and the Russian army’s 2022 invasion.
The church buried Valentyna’s family house by the river—“like a person”—in 1988. She was born in that house, gave birth to her kids and cared for her grandchildren there. Later, in 1996, her second house was buried too. Then, she buried her husband and, still refusing to leave Chornobyl, moved to a third house. In 2022, Russians came knocking on the door with their machine guns, looking for Nazis.
Water pipes were damaged on the first day of the invasion. Samosely had no power or heat, no communication. All stores were closed. Some tried to climb trees to pick up a cell signal and speak to their family in other parts of Ukraine, but Russian snipers could see them, even in their yards.
“In Chornobyl, we got lucky. They didn’t kill anyone—not a person, not a dog or a cat. Still, Russians robbed the laboratories in town and dug trenches in the Red Forest. As they were finally leaving, retreating, they didn’t have a map and couldn’t figure out which way to flee. They asked us, ‘Which way do we go?’”
She heads outside to meet her son, still talking, “They tried to remove my birthplace, my homeland. But homeland is everything—the walls are holding you up. I tried to leave so many times, but no!—Chornobyl pulls you back. You can’t leave.”
Standing in a doorway, a light curtain billowing in the breeze, she reads me her poem: “The church stands on guard on the hill. It sees everything—yet it is silent. No one’s here to heal the wounds.”
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In the 1960s, Westerners pilgrimaged to Nepal for its cannabis and the region’s so-called hippie trail. But King Birendra outlawed trade of the plant in the ’70s, with a complete ban of cannabis soon after. Now, decades later, Nepal is seeing a movement toward acceptance, and a man named Madan is at the forefront of this green wave, calling himself the country’s first weed influencer. Sean Williams tags along with Madan on a journey from Kathmandu to Thawang to see firsthand how the criminalization of cannabis has affected the lives of people who live there, and to learn what Madan envisions for Nepal’s future if cannabis were legalized.
Nepal laid the foundations for its cannabis tourism industry in 1961, taxing and licensing drug sales from Kathmandu stores that became the talk of the hippie trail. The Eden Hashish Center, the Cabin, and Central Hashish Store, among others, lined a skinny thoroughfare named Jhochhen Tole, or “Freak Street.” A couple of bucks was enough to eat, sleep, shower, and get wasted on some of the best pot on the planet. Each outlet curated a psychedelic menu of fresh buds, brownies, opium-laced joints called “Chinese Crackers,” and, of course, charas, which was typically packaged as a conker-size “temple ball” of hand-rolled resin. “Anyone who has smoked Nepalese hash will never forget their first time,” wrote the American weed trafficker Joseph R. Pietri. “I remember mine: the rush was so strong I had to sit on the floor and hold on.”
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