While on a writing assignment, Joshua Hunt travels to Mount Fear in Japan to remember and grieve for his Uncle Bill, a man who knew how to keep him connected to their extended family living in the aftermath of intergenerational trauma in Alaska.
I was meant to visit him three weeks after he left that message, but on the morning of my flight to Juneau, Alaska, I tested positive for COVID-19. I’d contracted the virus while working on a story in New Mexico—my first profile for the magazine I hoped to impress by flying halfway around the world to interview a novelist. While listening to old messages from my uncle, I dwelled bitterly on two unfulfilled promises I had made when calling to say I couldn’t make it home in January: the first was that I would get to Alaska and see him again soon; the second was that he was going to love the profile I had been working on in New Mexico. It ended up being published ten days after he died.
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The humanity of “low skill” workers, a child disappearance intertwined with a cult, the resident snow monkeys of Southern Texas, a multi-million dollar mail-order fraud, and the disappointing decline of fish-and-chip shops. These are our editors’ favorite stories from the week.
As a sex worker in a Toronto massage parlor, Lana Hall earned her living from 2 p.m. to 2 a.m., three to six shifts per week. In preparing for a particularly repellant final customer one night, Hall is humbled, not by the man she must shower with, but by the kindness of a fellow worker who curls her hair before the dreaded appointment. Reader, this small gift cut me so deeply that I found myself stifling sobs. “I felt so much care in that moment I could barely breathe,” Hall writes, “and it occurred to me that I’d never had a woman, before or since, handle my hair so tenderly.” As Hall recounts how the powerful, and society in general, look down on people with “low skill” jobs, she deftly reminds us that those who must work the wee hours serving the “incessant hungers of others” are often the most adept at conflict deflection and resolution—ironically the skills so often highly prized by those who work in sunlit ivory towers. Hall imparts with grace and nuance that the humanity on offer from those in low vs. high skill occupations is often as stark as night and day. —KS
Benjamin Hale | Harper’s | July 17, 2023 | 14,367 words
As soon as I finished this story, I sent it to two other magazine editors, both of them parents. Trigger warning for child murder, I told them, but you must read this. It’s been a long time since a piece surprised me the way this one did. Except I didn’t read it—I devoured it. Benjamin Hale’s delivery of a yarn involving a missing child, a cult, and perhaps a ghost in the wilderness of Arkansas is so adept that I didn’t get up, didn’t idly check social media, didn’t do anything while I was reading all 14,000 words of it. Hale plots a storyline that seems straight as an arrow then quietly nudges the reader to another path, then another. The twists and revelations are sublime but never showy. I don’t want to say anything else, to risk giving too much away. Suffice it to say, with that trigger warning in mind, you must read this. —SD
Sarah Bird | Texas Monthly | July 23, 2023 | 5,493 words
In 1972, Pelka—the 10-year-old snow monkey at the heart of Sarah Bird’s story—was shunted from her sanctuary outside of Kyoto, Japan, to a ranch in Texas. Too much temple pooping had led to the banishment of Pelka’s whole troop, and 150 monkeys swapped snowy peaks for sun-parched dirt. When Sarah Bird heard of her new Texan neighbors, she rushed to meet them; after all, they shared a history—Bird also grew up in Japan before relocating to Texas. Following a bonding moment with a doped-up Pelka, the snow monkeys become an unexpected force in Bird’s life, but, over the years, she loses track of them. Setting out to find them again, Bird contemplates a clichéd reunion, but the reality is far more nuanced. Her link adds an extra layer to the already fascinating story of this bizarre relocation and subsequent decades of supporting snow monkeys in Texas. Yes, Pelka now has generations of Texan relatives. —CW
Rachel Browne | The Walrus | July 26, 2023 | 5,264 words
I’m a sucker for stories about scams and grifters. As soon as I saw it, I was powerless to resist Rachel Browne’s investigative feature on copywriting con artist Patrice Runner. As a Montréal teen, Runner was enamored with the provocative copy of mail-order ads, especially those that resembled hand-written notes. Imagine being so persuasive in print that people mailed you money for winning lottery numbers and the secrets to luck and wealth. Over the years, over a million Canadians succumbed to Runner’s charm, earning him $200 million. Reporter Rachel Browne sent a hand-written letter to Runner, asking to interview him about his work with Maria Duval, an amateur psychic who claimed to have found missing persons and predicted election and stock market results. Runner licensed Duval’s likeness in Canada and the US, sending countless hand-written direct mail come-ons for astrological readings, lottery numbers, and fortune telling. On the proceeds, Runner led a lavish lifestyle that included heli-skiing and private schools for his kids where tuition was $100,000 a year. Browne expertly unravels Runner’s shady schemes and shell companies, distilling his case into a fascinating moral question: Is deception itself a crime? If you ask Runner’s many many victims they might say they’re more vulnerable than gullible, less cautious than curious. —KS
Tom Lamont | The Guardian | July 20, 2023 | 5,276 words
I first came to this piece because of my own love of fish-and-chips, but also because I knew I’d find a parade of aggressively British-sounding eatery names. In that, I wasn’t disappointed. But I also found something unexpectedly tragic, and unexpectedly resolute. Over the course of a year, Tom Lamont frequented “chippies” around the U.K., concentrating on Scotland’s East Neuk of Fife—a coastal area jutting out of the land between Edinburgh and Dundee, and by many accounts the world’s preeminent purveyor of the meal. When he began, supply-chain issues and soaring energy prices had already driven the industry to the edge of disaster. By the time his year was up, things had gotten markedly worse. Yet, Lamont’s elegy is suffused with love: his love for the “paradoxical richness without grossness” that marks a great fish and chips meal; villagers’ love for the stalwart shops and shopkeepers in their communities; even the friers’ and fishers’ love for the tradition. “Fishing is a serious matter here,” Lamont writes. “Fish and chips is a serious meal.” And as shop after shop closes, from the Lowford Fish Bar to Jack Spratt’s Superior to Jackson’s Chippie, each meal takes on even more weight. It’s a microcosm. A metaphor. And Lamont’s piece unpacks it all deftly, making sure you can take it away and digest it on your own time. Hopefully by the seaside. —PR
Audience Award
Get ready, it’s time to recognize the piece that our readers loved the most this week.
Luc Rinaldi | Maclean’s | July 13, 2023 | 6,259 words
As a gamer himself, Luc Rinaldi brings personal insight into his reporting on the families bringing a lawsuit against Fortnite’s developer, Epic Games. A deftly woven mix of liability law, Fortnite’s history, and a powerful case study. —CW
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You expect heat in Texas, but Forrest Wilder remembers a far more forgiving climate growing up than the one he is experiencing now. A personal microcosm of climate change that really brings reality home.
Despite growing up in rural South Texas without air-conditioning, I don’t remember being uncomfortable in the summers, at least not in the house. The old thing was uninsulated and drafty, inviting in the sea breezes that bring thunderstorms from the Gulf to the coastal plains. After school and in the summer, I spent hours at the town library, devouring books in the delicious AC. Plus, summers just weren’t as hot in the eighties and early nineties—I know; I looked up the data. The seven hottest summers on record for DeWitt County, where I grew up, have all occurred since 1998.
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For The Walrus, reporter Rachel Browne writes to Patrice Runner, the Canadian king of mail order grift, a man whose persuasive direct-mail copy writing skills deceived vulnerable believers to the tune of hundreds of millions of dollars.
When Patrice Runner was around eleven, in the late 1970s, his mother, a writer, began looping him in on the family’s financial struggles, he recalls. Runner’s father had left a few years earlier, sending monthly sums as child support. Thoughts of a career were a long way off, but Runner says he remembers feeling that all he wanted was to “get rich” so he wouldn’t struggle like his mother. He says he once asked a friend, “Do you know a simple way to become a millionaire?” When the friend said he didn’t, Runner replied: “It’s easy. Find a way to only make $1 one million times.” At nineteen, Runner started his first mail-order business, with $80, selling weight-loss booklets and how-to books on a range of topics.
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Computer scientist Joseph Weizenbaum was there at the dawn of artificial intelligence—but he was also adamant that we must never confuse computers with humans:
Today, the view that artificial intelligence poses some kind of threat is no longer a minority position among those working on it. There are different opinions on which risks we should be most worried about, but many prominent researchers, from Timnit Gebru to Geoffrey Hinton—both ex-Google computer scientists—share the basic view that the technology can be toxic. Weizenbaum’s pessimism made him a lonely figure among computer scientists during the last three decades of his life; he would be less lonely in 2023.
There is so much in Weizenbaum’s thinking that is urgently relevant now. Perhaps his most fundamental heresy was the belief that the computer revolution, which Weizenbaum not only lived through but centrally participated in, was actually a counter-revolution. It strengthened repressive power structures instead of upending them. It constricted rather than enlarged our humanity, prompting people to think of themselves as little more than machines. By ceding so many decisions to computers, he thought, we had created a world that was more unequal and less rational, in which the richness of human reason had been flattened into the senseless routines of code.
Weizenbaum liked to say that every person is the product of a particular history. His ideas bear the imprint of his own particular history, which was shaped above all by the atrocities of the 20th century and the demands of his personal demons. Computers came naturally to him. The hard part, he said, was life.
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Sarah Bird has had a lifelong connection to 150 snow monkeys. (Not many people can attest to that.) She has followed their story since they were transported from Japan in 1972—for a new life in Texas—and is now determined to meet them one last time. There is no fairytale ending, but there is a beautiful story.
The national treasures had become public nuisances. Unless a new home was found, the 150 rogue monkeys would become candidates for either lab studies or the dissection table. When no takers could be found in Japan, a five-alarm alert went up throughout the international community to save these members of the only group of primates whose behavior and matrilineal lines had been studied for over a decade. For six years, scientists around the globe searched for a safe home for the endangered monkeys.
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Shoshi Parks opens this intriguing essay by examining an advert written by an 18th-century British aristocrat looking for a live-in hermit, specifying that he “must be silent, never speaking to the servants who brought him his daily meals. He must wear a goat’s hair robe and never cut his hair, nails or beard.” Such an introduction makes it impossible not to be gripped, and Parks’ gleeful unpicking of this epitome of eccentricity is worth enjoying to the very end.
Neither Stukeley’s hermitage nor Queen Caroline’s boasted a hermit-in-residence. But it wasn’t long before the idea of elevating a hermitage’s authenticity by adding a living, breathing hermit caught on. “Nothing, it was felt, could give such delight to the eye as the spectacle of an aged person, with a long gray beard and a goatish rough robe, doddering about amongst the discomforts and pleasures of nature,” wrote British poetEdith Sitwell in the 1933 book English Eccentrics.
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Suicide rates in rural areas are higher than in cities, and increasingly so. Meanwhile, farmers—who are typically older, male, and white, three more factors that increase suicide risk—grapple with newer existential risks to their already-fraught profession, like climate change and a real-estate crunch. A mental-health storm has been gathering for some time; Allison Salerno visits a pilot program at the University of Georgia that seeks to break up the clouds with fellowship and human connection.
Jason is now 46 and married, with children of his own. He still manages the farm in Bowersville, where twice a day—every day of the year—those cows need to be milked. Other chores: mix feed rations for milking and dry cows (pregnant or about to deliver), water and feed the animals, care for those that are ailing, deliver new calves, manage manure, monitor herd health and nutrition—and, depending on the season, prep, plant, or harvest fields. Since 2019, Jason has made multimillion-dollar investments in the business. He borrowed money to build an upgraded barn and become the second dairy farm in the state to use robotic milkers. He bought four of the machines, at about $250,000 each. Jason often worries that to ensure the farm’s future, he could have endangered it—that the debt he’s taken on might lead to the farm’s failure. “I’ve taken all that 70-something years’ worth of effort, and I’ve risked it all,” he says. Having witnessed the aftermath of his brother’s death, Jason never considers dying by suicide, but he’s honest about how tough running the business can be. How does he manage the pressure? “Some days are better than others.” Jason lives too far from Blairsville to participate in the Shed program there—he’s about a two-hour drive east—but he’s the type of farmer Haney would love to reach.
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Lana Hall recounts the kindness she encountered working in a massage parlour in Toronto’s Finch Alley during the ’80s. She recalls the camaraderie she discovered among her fellow workers and others — such as cab drivers and convenience store clerks —who too worked through the night in low-paying jobs to serve the needs of others.
At night we’re just animals, I was reminded. The clients, yes, seeking release they couldn’t admit during daylight hours, but also the workers who manned the various portions of the strip mall after dark. The way we cared for each other, sometimes more in silent gestures than anything else, felt connected to our deepest instincts as pack animals. No matter how much I wanted to go home, there was some comfort in the simplicity of that connection.
Women filled my Styrofoam cup at the twenty-four-seven coffee shop across the street from the parlour, glancing wordlessly at the strip of bare skin between my coat and the tops of my stockings, but still making sure my cup was full to the top, passing me extra packets of sugar, sometimes a muffin from the day-old basket. Kids in their early twenties manned the counter at all-night fast-food joints, where I’d go between clients on slow shifts, needing something to wake up my neurons: salt, heat, grease. The shock of cold air on my legs at midnight. We knew so little about each other’s lives—how could we?—but forced into this strange cohort of ragged work hours, I felt we sometimes shared a look of recognition: of people whittling time away as we tended to the incessant hungers of others.
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If we’re lucky, our journey through education features great teachers. If we’re extraordinarily lucky, one of those great teachers becomes a friend, and even a mentor. In signing up for a class about a novelist he’d never even read, Stewart Sinclair unwittingly set himself on a path that delivered all three. A lovely ode to the figures who guide us more than they might ever know.
Sometimes Schaberg would come into class with a deep outdoorsman’s tan and talk about whatever thoughts had come to him while he was casting along the Mississippi River. He’d just had his first child in the years while I was his student, and it seemed like all of his thoughts led to the river or the boy. It was apparent to anyone who took his classes that Schaberg was a person searching for meaning, who didn’t believe he had any answers, and who wanted his students to get excited about the search. A fisherman can show you how to read the river to figure out the best place to cast your line, but he can’t tell you what, if anything, might emerge from the depths. That’s the nature of the fun.
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Critiques of ChatGPT’s writing appeared almost as soon as the service became publicly available. But most of those criticisms so far have been fairly vague—variations of “The writing just doesn’t feel human.” I certainly agree, but have also been searching for a clearer argument about why exactly ChatGPT’s writing fails on a technical level.
Laura Hartenberger at Noema delivers exactly that in this cogent, masterful analysis and critique of the content that these types of programs spit out. In doing so, she also wrestles with the central question that has inevitably crept up in the midst of this generative AI hand-wringing: What is good writing, anyway?
When we talk about good writing, what exactly do we mean? As we explore new applications for large language models and consider how well they can optimize our communication, AI challenges us to reflect on the qualities we truly value in our prose. How do we measure the caliber of writing, and how well does AI perform?
In school, we learn that good writing is clear, concise and grammatically correct — but surely, it has other qualities, too. Perhaps the best writing also innovates in form and content; or perhaps it evokes an emotional response in its readers; or maybe it employs virtuosic syntax and sophisticated diction. Perhaps good writing just has an ineffable spark, an aliveness, a know-it-when-you-see-it quality. Or maybe good writing projects a strong sense of voice.
But then, what makes a strong voice, and why does ChatGPT’s voice so often fall flat?
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In this excerpt from Girls, Interrupted: How Pop Culture Is Failing Women, Lisa Whittington-Hill examines the different ways we remember Kurt Cobain and Amy Winehouse. An analysis that raises some uncomfortable gender questions.
Both Winehouse and Cobain had a complicated relationship with fame, resenting their success once the whole machine got too big. The singers didn’t want all the fancy things their hit songs and sold-out shows afforded: they just wanted to play music. “My music is not on that scale. Sometimes I wish it was, but I don’t think I am going to be at all famous. I don’t think I could handle it. I’d probably go mad,” Winehouse says, in the 2015 documentary Amy, of her pre–Back to Black status, describing fame as a “scary thing.”
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In this beautiful essay for Joyland, Matthew Medendorp peels back the layers of the lowly onion, an organism with DNA more complex than that of a human. He reflects on its earthly origins and heavenly taste once transformed by fat in the pan, after it meets the knife.
The point is: we have more in common with an onion than we might like. If we share a certain amount of our DNA with a banana ((between 41-50% depending on the source, certainly more than I’m comfortable with), how much more so with an onion? Onions have, in fact, five times the amount of DNA as humans. There’s a famous genetic test associated with the vegetable named the Onion Test. The Onion Test puts us humbly in our place. Scientists used to think the more DNA an organism had, the more complex a being it was. Into this enter the humble onion, with a cellar structure so simple you can identify the building blocks of life under a simple, middle-school science class microscope. That extra DNA, scientists concluded, must be junk DNA – DNA that serves no purpose. The DNA is on standby, like an onion on your cutting board, awaiting something no one can quite predict yet, its final purpose unclear. So, it is possible that when you cut an onion you condemn a complex being to oblivion. Or, alternately, to a higher purpose.
Every time we chop an onion, we remember other onions that we’ve chopped. Even water has memory, and an onion is not without its juices. We compound our onion experience, water, and layers, and chopping, spirit memory and muscle memory. This is all automatic, primal, and elemental. The steel of a good cut is tempered in water, supercooled and given strength by the cold. Every time we chop an onion, we visualize what it will become, therefore invoking its future. Past onions and future onions collide on the cutting board as we slice and dice. This happens all without consideration, but it bears dissection.
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In 2001, Benjamin Hale’s young cousin went missing in the Ozarks. The search for her led his family down unexpected paths—to a cult, a murder, and possibly a ghost:
They thought it best to leave town for a bit, and they asked Haley where she wanted to go. Her favorite thing she had ever seen in her short life was the Gateway Arch, which they’d visited on a family vacation, so they decided to take a short trip to St. Louis. During the drive up, Haley told them for the first time—told anyone for the first time—about her “imaginary friend,” Alecia.
From the moment Alecia first appeared in the story, Haley insisted on that slightly unorthodox spelling, although she did not yet perfectly know how to read. She also insisted on other specific details. Alecia was four years old. She had long, dark hair tied in pigtails. She wore a red shirt with purple sleeves, bell-bottom pants, and white sneakers. She had a flashlight. She guided Haley to the river.
“I never had imaginary friends before this experience,” Haley told me, “and I never had any after. And I never saw this particular imaginary friend again.” She did not think at any time that Alecia was a real child. “I was fully aware that this was a non-corporeal being that was with me. And she was a little girl, and we had conversations, we told stories, we played patty-cake, and she was just a very comforting presence. But I knew I was alone.” The hallucinations started later, after she’d already made it to the river. Alecia was not a vision of this sort. “I one hundred percent did not think there was another child with me. I knew, physically, I was alone.” But she also says that Alecia guided her to the river, which she didn’t know was there.
There is a phenomenon called third man syndrome, or third man factor: when some sort of unseen or incorporeal conscious presence seems to accompany people—often a person alone—going through a long, difficult, and frightening experience they do not know they will survive. It is not well understood. It may be some sort of emergency coping mechanism. It was most famously experienced by Sir Ernest Shackleton during one of his expeditions to the Antarctic; the mountaineer Reinhold Messner has also reported experiencing the phenomenon, as have the explorers Peter Hillary and Ann Bancroft. “During that long and racking march of thirty-six hours over the unnamed mountains and glaciers of South Georgia,” Shackleton wrote in his 1919 memoir, South, “it seemed to me often that we were four, not three.”
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