An alternate headline for this piece could be “How Dates Explain the World.” Ancient, diverse, and delicious, dates are staples on Middle Eastern plates. But as Matti Friedman explains, they are also windows into the past and the future:
At ten feet up the trunk of a date palm and rising, you’re still thinking about the ground receding beneath your feet, but at 20 feet your gaze shifts upward toward the approaching explosion of green above your head. At 40 feet the hydraulic platform shakes to a halt, and Yuval Shabo and the other workers at this Israeli date orchard grasp the trunks and leap into the fronds. It’s spring, when date palms reproduce, and the workers use curved knives to harvest pollen from male flowers, place the pollen in squeeze bottles and then apply it to the white petal clusters atop the female trees. It’s a different world at this height—birds gliding at eye level, the Jordan Valley stretching north toward Syria and south toward Egypt, the green frond sea waving in all directions. The workers stop on occasion to sip water or roll a cigarette. Ground-bound humans and their concerns seem irrelevant. Up here all that matters is the little brown fruit.
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The same overriding sense of the date’s importance struck me several times during the past few months, sitting in air-conditioned libraries, hunched over books, looking at the ancient art and literature of this part of the world. When I began my research, the date palm seemed to appear merely as a background detail in art, from pharaonic tombs and Assyrian palaces to a 2,500-year-old seal impression showing the Persian Emperor Darius shooting arrows at a lion. But after a while my perception changed. The date palms stopped looking like decorations and came to the fore. After all, the pharaohs are long gone and Darius no longer matters, but the date palm does, feeding multitudes, linking people with their ancestors, rising everywhere like millions of green fireworks frozen mid-blast. Maybe these trees are the stars in the story of this region, and we’re the extras?
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