Homophobes have spent centuries insisting that same-sex relationships are unnatural. Simply put, that’s a lie. For proof, look no further than this delightful Q&A with the illustrator of the seminal book Biological Exuberance: Animal Homosexuality and Natural Diversity, published more than 20 years ago. John Megahan, interviewed here by Radiolab host Lulu Miller, took descriptions from field studies, scientific journals, and interviews to illustrate the book, written by biologist Bruce Bagemihl, with images of mammals and birds engaging in queer behavior:
LM: In the mid-1990s, when you were starting to work on this, was there a lot of doubt that homosexuality takes place in the natural world? Was there a sense that this was something people were aware of, or did it feel new even to be bringing it out?
JM: It felt new. It was something that I was not aware of and had not really considered before, so I was personally fascinated by the subject.
All these things that are compiled in here were the notes and observations of scientists. For years they’ve been seeing this stuff, but usually just in side notes. And they published very little about these subjects. This is the one publication that pulled everything together into a single document.
LM: That’s interesting. It’s taking the side notes and the things that were listed as deviant or abnormal and saying, Wait, when you actually put them all together, maybe they’re not.
Do you remember any drawings, or the journeys to a drawing, that were funny or hard or complicated?
JM: Well, a fun one for me was the hand signals by chimpanzees. We spent quite a bit of time working on this illustration. We actually studied the symbols that they use in sign language publications.
LM: There’s a sideways wave and there’s one that almost looks like you’re dribbling a basketball, which is apparently an invitation for sexual interaction. There are ones that seem to be telling the partner what to do: turn around, position yourself, spread your legs. Were you watching videos? How did you get so precise with these? It’s so cool. It’s like a language—like sex talk.
JM: Bruce basically gave me rough sketches of what he wanted on these. And so I had a rough idea of how to go about this. And then I think I asked my wife, Anne, to move her hand about in various ways, and then I turned her hand into a chimpanzee hand.
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In South Korea, only people related by blood, heterosexual marriage, or adoption are considered family under the law. But a growing number of “no-marriage” women, who are defiantly single, want to change the face of family in the country. Among them is Eun Seo-Ran, a 43-year-old writer who a few years ago adopted her best friend, a woman just five years her junior. It all started when they became roommates, but soon realized they wanted to be more than that to one another:
Their different personalities—Seo-Ran is sensitive but outspoken while Eo-Rie is more easy-going and nonchalant—complement each other well, Seo-Ran says.
“Eo-Rie accepted my hyper-sensitiveness with ease, and even joked once, ‘I feel like I have a high-end home cleaner’,” she says, laughing.
Their home life became “joyful, peaceful, and comforting”.
“I came to believe that a real family is those who share their lives while respecting and being loyal to each other, whether or not they are related by blood or marriage,” says Seo-Ran.
A few years later, with the arrangement working so well, they decided to buy their apartment together. But then, after Seo-Ran, who suffers from other health problems like chronic headaches, was rushed to the ER several times, they started talking about how if they were family they could sign medical consent forms for one another. South Korean hospitals, fearing legal action should something go wrong, customarily refuse to offer urgent care—including surgery—unless a patient’s legal family gives consent.
“We have helped and protected one another for years. But we were nothing but strangers when we needed each other most,” Seo-Ran explains.
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For decades, American-style crossword clues held the rest of the world at arm’s length. But as the story of Indian puzzle constructor Mangesh Ghogre makes clear, crosswords function as a linguistic bridge like few other things can; why shouldn’t that bridge be constantly updated to reflect global culture? Natan Last—a constructor and child of immigrant parents himself—melds a profile of Ghogre with a smart, nuanced examination of the grid-based landscape.
In 2021, the psychologist and puzzle-maker Erica Hsiung Wojcik published the Expanded Crossword Name Database, a “list of names, places and things that represent groups, identities and people often excluded from crossword grids.” Because of English’s consonant-heavy phonotactics, crossword constructors make use of vowel-heavy French loanwords to fill out the grid—ete, oui, epee. That’s also, perhaps, why we know Jean auel, eero Saarinen, all the canonical iras. If vowelly nouns are so useful, why not arm constructors with an updated canon: Why not put eula Biss, Michaela coel, or yaa Gyasi in a crossword? One solver’s trivia is another’s lived lexicon; what’s “fair” to W. H. Auden might keep newbie solvers on the other side of the fence.
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Profiles dig deep, assembling original details to convey the essence of a person or place—and sometimes both—as you’ll see. These are the stories that gave us keen insight into the lives of others, drawn from hundreds of editors’ picks selected in 2023.
Skip Hollandsworth | Texas Monthly | May 8, 2023 | 7,531 words
Before May 24, 2022, Kimberly Mata-Rubio, a part-time local reporter and mother of six children living in Uvalde, Texas, was shy and quiet. After that horrific day at Robb Elementary School, when two teachers and 19 children were murdered—including her daughter, Lexi—Mata-Rubio was forever changed. She was overwhelmed with grief, but also felt compelled to speak, to do anything she could to fight for justice for Lexi. Shortly after the shooting, she testified in a hearing about gun violence. She then started to speak at rallies, at home and in Washington DC. She became a fierce advocate for gun control, even meeting with Ted Cruz to push him to support an assault weapons ban. (Not a spoiler: he didn’t.) In those months that followed, she realized that she had a voice. (Recently, in fact, she ran for mayor of Uvalde, though she lost the bid last month in a special election.) I’ve sat down several times to write why I picked this story by Skip Hollandsworth, but have scrapped numerous attempts. They all read hollow and repetitive, because I’ve written versions of them before. My Best of 2022 pick in this category was also a Uvalde profile, about student Caitlyne Gonzales, so it seems that I can’t help but return to this town, to this tragedy. Perhaps immersing ourselves in the narrative of tragedy is a form of emotional retreat, a way of numbing the constant onslaught of violence in the world. Hollandsworth’s piece reminds us that these stories do not end when the spotlight of our attention moves on, but continue to transform communities, families, and individuals. This is an emotional, difficult, but necessary portrait of a grieving mother finding meaningful ways to honor her daughter’s life, and perhaps help birth a better world for all of us. —CLR
Kerry Howley | New York Magazine | June 21, 2023 | 7,555 words
For the second year in a row, my favorite profile was written by the inimitable Kerry Howley, one of the great chroniclers of America’s right-wing resurgence. Last year, I adored—and seethed over—her profile of anti-abortion activist Marjorie Dannenfelser; this year, Howley turned her attention to Clarence and Ginni Thomas. The former, of course, is the conservative Supreme Court justice confirmed to the bench despite being credibly accused of sexual harassment—laying the groundwork for the Brett Kavanaugh fiasco a quarter-century later—who more recently was exposed for accepting expensive gifts from various billionaires. Ginni, Thomas’s wife, started a political consulting firm with money provided by one of those billionaires, and used her influential perch inside the Beltway to support the January 6 insurrection. In this profile, Howley illuminates how the Thomases’ almost alchemical bond as a couple makes them such a potent, ruinous force in the American project. The insight here is as sharp as the prose. “There was something in Ginni and Clarence that reinforced and refined a shared extremism, something beyond their shared intolerance for ambiguity,” Howley writes. “There was an interlocking set of beliefs, a fatalism born of the lived experience of racism and the entire heavily manned edifice of white ignorance.” When I got to the end of this piece, I whispered under my breath, to no one in particular, damn. —SD
Wyatt Williams | The Bitter Southerner | September 4, 2023 | 6,303 words
The stories I love best are slow and savor-y, served with a love that can transcend pain. Wyatt Williams’s ode to his mother, the state of of Louisiana, and the songwriter Lucinda Williams is a piece I reread often. I return to remember how great writing disappears in serving a story, or when I’m struggling with how to get my point across just so. I’m rewarded with new resonance every time. Williams’s mother and Lucinda were born in 1953 in Louisiana, a place known most often for the destruction wrought by hurricanes; both families endured the stormy weather of violence, alcoholism, and generational trauma. When Williams writes, “She had been through crisis before. She had her ways of getting through it,” he’s talking abut his mother but alluding to Lucinda and the state of Louisiana, all three of which, on deeper inspection, reveal a special kind of resilience. Writers grapple with how to convey inchoate and entangled ideas and feelings but Williams creates beauty out of the chaos by sheer repetition, just like listening to a song on repeat and discovering something new with each spin. “It seems almost impossible that someone could spend 14 years writing 34 lines of poetry,” he writes. “But one of the things to understand about the work is that it isn’t as much about putting down words as it is about learning to see, reteaching yourself to look at the world, your own life, and find the shapes and patterns.” This story is about working hard to make something out of nothing, about naming things you don’t yet understand, about doing the work and paying deep attention in an attempt to find meaning and perhaps even earn a kind of peace. These are universal truths so bold, you know you can’t let go. —KS
Nate Rogers | The Ringer | April 12, 2023 | 5,170 words
When you ask people to name the profiles that have stuck with them, they nearly always point to pieces that hinge on proximity. That’s for good reason. Spending hours or days in deep conversation with a subject (or simply fishing) generally works to break down the walls of image maintenance, creating enough unvarnished moments for a good writer to plumb. But there are many other ways to write a meaningful profile, as Nate Rogers’ piece about Paul Dochney proves. Dochney is known by a large swath of the internet simply as Dril, a Twitter persona who for 15 years has polished satirical shitposting to a high sheen and in the process helped architect online culture’s dominant comic voice. It was a nearly uninterrupted piece of performance art, which makes the profile’s quotidian backdrop—an anonymous old-school L.A. greasy spoon—all the more delightful. Like any profile, Rogers gives you the broad beats of Dochney’s upbringing and CV, dutifully threading in secondary interviews for texture and context, but the profile’s real value lies in how he contends with the idea of art in the age of social media. Dochney/Dril isn’t a provocateur; he’s a guy who likes making stuff. It’s just that in a twist of fate, Twitter became the place where that stuff first connected with people. And with that platform teetering ever closer to obsolescence, Dochney’s next steps become even less certain. Amid a sea of stories that seek to examine the role of the “creator,” Rogers’ profile instead sets out to examine the creative urge—and is stronger for it. —PR
Gabriella Paiella | GQ Sports | June 13, 2023 | 5,175 words
Everyone loves a good underdog story, and this one is particularly delightful. The Eddie Aikay Big Wave Invitational is a surf contest that relies on the whims of nature—the waves in Waimea Bay must reach a butt-clenching height of a minimum of 40 feet for it to go ahead. When conditions are right, competitors race across the world to get there. For North Shore local Luke Shepardson, the commute was less of an ordeal (although he still got caught in traffic, leaving his wife in the car and running down the road). It also happened to be his commute to work. That’s right: Luke worked as a lifeguard at the event, taking his turn to ride the waves between patching up other competitors. He won the competition after riding a wave the size of a four-story building, beating the world’s greatest surfers without even being a professional on the circuit. After the win, Luke finished his shift and headed home to watch The Lion King with his kids. As Gabriella Paiella explains in her enchanting profile, this was all very Luke, who “is known as ‘Casual Luke.’ In Hawaii. Which is like being called ‘Neurotic Matt’ on the island of Manhattan.” Luke’s down-to-earth nature pervades this piece, with Paiella clearly coming to respect an attitude so different from other sports stars. Luke got some money from the Eddie, but not enough for his life to be easy. Living with his wife and two kids in a one-bedroom apartment—in an ever more expensive area—he dreams of “descending back into obscurity” and buying his own home in this little slice of paradise. Nothing more. You can see why, with Paiella painting a lovely picture of family life in this beautiful surf town. Sure, it’s expensive, but the height of elegance is a flip-flop, and everyone knows everyone. (“As Luke’s mom put it after the Eddie: I changed first- and second-place’s diapers.”) This profile oozes sun, sand, salt, and joy. Everyone loves an underdog story, and everyone loves Casual Luke—after all, he has all the big stuff figured out. —CW
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A powerful story of how the war in Ukraine forced a surrogate mother into living with her baby’s biological parents. Williams documents the history of the two mothers, highlighting the different worlds they came from, and does not shy away from showing the difficulties of two families unexpectedly ending up under the same roof. What is incredible is that post-birth, they are all still there.
Between the surrogate and the intended parent there is a peculiar bond. “They’re doing this life-changing thing for you and receiving a life-changing amount of money in return,” Dorothy often says. The position suggests equality, but it is a fine balance, dependant in part on distance. Now the war was about to uncouple them from the organisational rules that kept them apart.
Dorothy found Anastasia on Facebook. The agency had told couples not to contact their surrogate on social media, and vice versa, for mutual protection against, say, surrogates asking for more money, and intended parents suggesting diet and exercise regimes. But some couples still snooped on their surrogates, scouring Facebook and Instagram for evidence of smoking or drinking. On the afternoon of 24 February, Dorothy sent Anastasia a supportive message: “I hope you don’t mind me contacting you. I just want you to know we’re thinking of you and hope you and your son are OK. If there is anything we can do, please let us know.”
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Can you imagine a world in which the dodo, the mammoth, and other long-lost species roamed Earth once again? Sabrina Imbler’s Defector essay is an absolutely fascinating look at the de-extinction movement, and the main VC-funded company behind it.
If we reach a point where native ecosystems have been restored, conservation is abundantly and globally funded, governments have taken meaningful and equitable action against climate change, no species are endangered by our presence on the planet, and people no longer live in poverty that makes poaching a rhino horn or mammoth tusk a necessary trade-off for survival, then sure: Let the dodos* and mammoths* frolic. But in the world we live in, spending lots of money to inflict unknown degrees of suffering on living and dying animals in pursuit of creating hybrids that will require immense and expensive assistance to survive on their own amid vanishing wilds does not just seem misguided. It seems funereal.
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David Grimm takes a trip to the Research Institute for Farm Animal Biology (FBN), where some fascinating studies on farm animals are taking place. It’s an often overlooked field, but researchers are beginning to realize that these animals are smarter than we ever thought. This piece may make you think differently about the 78 billion farm animals on Earth—and also picture a pig choosing to run on a treadmill for the endorphins.
The goal is to train the pigs for an experiment that will test whether they’ll exercise just because it makes them feel good, a window into their emotions. “The idea comes from human sports physiology,” Puppe says. “That exercise can improve mood.”
A couple of decades ago, work like this would have been laughed out of the barn. There are an estimated 78 billion farm animals on Earth—a number that dwarfs monkeys, rodents, and humans combined—and we have lived with them longer than any other creature save dogs. Yet in an era where researchers are modeling rat brains on computers and showing that our canine pals may be able to intuit our thoughts, livestock remain a black box.
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