Friday, December 01, 2023

The Top 5 Longreads of the Week

A miniature house sits on a small base against a sky-blue background

Micro-scale real estate. Marvelous birds with better memory than yours. Neighbors recording neighbors. Love among seniors. A profile of a woman who’s been both ubiquitous and anonymous for 15 years. All that—and more!—in this week’s edition.

1. Inside the Weird and Wonderful World of Miniatures

Scott Huler | Esquire | November 20, 2023 | 5,653 words

In summer 2020, I ordered a miniature house kit, thinking it would be the first of many cute dioramas I’d construct while stuck at home. As I write this, however, I glance over at the unopened box, a bit embarrassed that I have yet to experience the joy of making it. For Esquire, Scott Huler immerses himself in the world of working miniaturists, and a movement that exploded during lockdown and grew even more popular thanks to Instagram and TikTok. Speaking with collectors and artists, such as professional miniaturist Robert Off, Huler explores the why behind this art. What makes a roombox—the boxed display that houses a miniature 3D environment—so irresistible? I love what Huler discovers: for many miniature makers and viewers, a roombox provides a way to focus, a place of relief. An entire world in which to escape, or to control. An outlet to imagine and dream that “just offstage, there’s more going on if you could just get small enough to walk through that little doorway.” This piece brought me joy, not just because I was wowed by the skilled craftsmanship of miniaturists working today, but it also reminded me of the peace we can find within our interior world, and the power of our own imagination. —CLR

2. Last Love: A Romance in a Care Home

Sophie Elmhirst | The Guardian | November 23, 2023 | 4,036 words

I had to take a moment after reading this essay to sit and untangle the mess of feelings it brought up. It’s joyful, desperately sad, and a poignant reflection on aging: a standout piece. Sophie Elmhirst introduces us to two lovers, Mary and Derek. Theirs is teenage love, pure and easy, with no responsibility to weigh it down. But Mary and Derek are no teenagers; their meet-cute is in a care home. With just a few choice words, Elmhirst brings their characters to life, mixing their love story with memories to remind us of what came before a life of inconveniences and incontinence pads. She uses short, crisp sentences, jumping from place to place and emulating the way fragments of memory come bright and clear before fading and falling out of reach. It was as if I was sitting with Mary, listening as she grasped for a memory before finding another. In a few paragraphs, we have a snapshot of two lives, swinging from love to tragedy, the way life can—a history that makes the love story even more beautiful. “It’s different, meeting someone late in life,” Elmhirst explains. “You know you won’t have long, so the love feels more urgent.” (Even if this leads to awkward noises from the home’s bedrooms.) When the love is lost, it hits with a jolt, and Mary is shocked into facing the truth that she will never go home again. Yet, her final pragmatism is inspiring. An essay that made me think about aging in a way I never have before. —CW

3. How Citizen Surveillance Ate San Francisco

Lauren Smiley | WIRED | November 7, 2023 | 7,704 words

Last April, law enforcement in San Francisco’s Marina District responded to 911 calls about an unhoused man who was beating a local resident with a metal object. The suspect was quickly arrested and the story soon went viral, in no small part because there was a video of the incident. But there were other videos—as Lauren Smiley writes, “In San Francisco, there’s always another video”—and in time they revealed there was more to the story, particularly as it pertained to the supposed victim. I don’t want to give the rest away, because this feature should be read in its entirety. It’s a masterful retelling of events, certainly, but it’s also a razor-sharp, much-needed analysis of the way San Franciscans now police one another via cell phone videos, Ring cameras, and other devices. This citizen surveillance, as Smiley shows, is feeding the national narrative about San Francisco as a place of squalor and violence. Tape something on your doorstep and before long, “the cops get it, the footage gets passed to the prosecutor, who hands it to the defense attorney, who tosses it like chum to the ravenous media, and before you know it, your house cam is on CNN, it’s playing on All In with Chris Hayes, it’s making rhetorical points against Tucker Carlson, it’s basically a live birth on a San Francisco sidewalk, boomeranging the eyes right back on you, threatening to put you on the witness stand, sending a WIRED reporter marching up to your garage on a Friday afternoon, hoping to talk.” —SD

4. The Naturalist and the Wonderful, Lovable, So Good, Very Bold Jay

Brian Payton | Hakai Magazine | November 14, 2023 | 3,700 words

First, let us have a moment of appreciation for this banger of a headline, in tribute to Judith Viorst’s classic childhood read, Alexander and the Terrible, Horrible, No Good, Very Bad Day. I was powerless to resist this piece and was well rewarded for my time. Brian Payton’s Hakai story about the winged wizard known as the Canada jay is satisfying beginning to end. This is no paltry plumed profile; Payton weaves fact, anecdote, and story together so deftly that these 3,700 words evaporate before your very eyes. I could have read a story double the length and still would have wanted more. You’ll meet 81-year old Dan Strickland, a naturalist who is the world’s foremost authority on the bird species, his knowledge gained from decades spent observing and interacting with the cunning corvids in the boreal and subalpine forests where they make their home. “Our prodigious brains can store vast amounts of information,” writes Payton. “London cab drivers, for example, must memorize the Knowledge, a set of famously grueling exams covering the location of 25,000 city streets. Not bad, but a Canada jay can cache up to 1,000 food items per day—then remember and retrieve upward of 100,000 of them over the course of a season.” Not only is this story about a jay a real joy, it’s a rare treasure that reminds me of why I fell in love with reading in the first place: learning about those with such deep interests is deeply interesting. —KS

5. Everybody Knows Flo From Progressive. Who Is Stephanie Courtney?

Caity Weaver | The New York Times Magazine | November 25, 2023 | 4,690 words

I always feel just a twinge of guilt recommending a story that has already become The Thing Everybody Read This Week. In my defense, though, I read the story before This Week had even officially begun, and immediately knew that it would be my Top 5 pick. Also in my defense, the first line is perfect. “One needn’t eat Tostitos Hint of Lime Flavored Triangles to survive; advertising’s object is to muddle this truth.” Why is this perfect? Well, because it tells you everything you need to know about what the story will be about, and what this story will be. It will be funny (as Caity Weaver’s profiles always are). It will be clear-eyed. It will be armed with some well-earned cynicism about how companies—or, rather, their vaporous and often uncanny incarnations known as “brands”—operate. The one thing this sentence doesn’t quite prepare you for is how generous the story is. How generous its subject is. And how generously you might think about things thereafter. We all have aspirations. Sometimes our life realizes those aspirations, sometimes it doesn’t. But sometimes even when it doesn’t, it does. Stephanie Courtney, the comic actor once bent on getting to Saturday Night Live and now in firm possession of a far more fulfilling gig, knows that better than anyone. —PR


Audience Award

What was our readers’ favorite this week? Drumroll, please!

The Train Wrecked in Slow Motion

Grace Glassman | Slate | November 26, 2023 | 5,038 words

In this harrowing essay for Slate, ER doctor Grace Glassman recounts the birth of her third child, a daughter, and the risks involved with pregnancy at age 45. In a piece that is a master class in pacing, Glassman remembers her uncontrollable bleeding post C-section and going into hemorrhagic shock that required life-saving emergency surgery. In reflecting on her experience as a medical doctor, she suggests that only one thing stood between life and death: pure luck. —KS



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