Lara Logan rose to broadcast stardom as a hungry reporter who capitalized on both her fearlessness and her telegenic appearance. That was before she drifted into a nest of conspiracy theories that would get her ousted from numerous TV gigs; now, she travels a far-right lecture circuit, fearmongering for profit. But Elaina Plott Calabro’s profile doesn’t relish in the gory spectacle—it’s a dispassionate, empathic look at how someone so talented can lose their way so completely.
Logan’s success at events like this—she now features at many—turns on her ability to shrink the distance between her past and present selves. She needs the people in this auditorium to believe that the woman on the projector screen is the same one who now anticipates their fears of woke indoctrination. She needs them to trust that when she talks about subjects like the “little puppet” Volodymyr Zelensky, or how COVID vaccines are a form of “genocide by government,” or how President Joe Biden’s administration has been “participating in the trafficking of kids,” it is with the precise rigor and dispassion she once displayed on the front lines of America’s wars.
Logan, who is 52, is still, after all, a war correspondent. That is how she sees it. The fighting may not be in Afghanistan or Iraq, and she may not be winning Emmys for her coverage anymore, but in her mind this is her most crucial assignment yet, uncovering this “war against humanity.” And she must be getting close to the real story, because the American media have tried to silence her from all sides.
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