Monday, December 12, 2022

‘Do You Know These Women?’

black and white sketch-like illustration of three women on the top, and a bottom background image of a boat of migrants sailing on water

Sarah Souli  | November 2022 | 13 minutes (3,781 words)

This is an excerpt from The Atavistissue no. 133, “A Matter of Honor.” The story was completed with generous support from the Incubator for Media Education and Development, a nonprofit journalistic organization founded in 2018 with an exclusive donation from the Stavros Niarchos Foundation.


“Just by being there, the border is an invitation.
Come on, it whispers, step across this line. If you dare.”

Kapka Kassabova

Life in a diaspora can have the dull ache of a phantom limb. In the Istanbul neighborhood of Zeytinburnu, in August 2021, the pain was acute. More than 2,000 miles away, the Taliban was starting to take back control of Afghanistan; within days the country would fall to an old regime made new. The events had plunged Zeytinburnu, an enclave of tens of thousands of Afghans displaced from their home country by war, poverty, and other ills, into a state of collective fear and mourning.

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The context seemed to render my investigation, now dragging into its third year, futile. What did three dead women matter when a whole nation was having its heart ripped out?

The heat of late summer shimmered off the pavement as I spent long, liquid days moving from one person to another, displaying my phone screen and asking the same question: Do you know these women? I approached customers in call centers that promised good rates back home, patrons in restaurants where the smell of mutton biryani filled the air, elderly men sipping tea on wooden benches, and mothers watching children at a construction site that had been turned into a makeshift playground. I lost count of how many people I asked. Everyone gave the same answer: No.

On what was supposed to be my last afternoon in Zeytinburnu, I stood outside a café window watching a young Afghan man inside churn cardamom shiryakh (ice cream) in a large copper pot. The customers behind him drank fruit juices and devoured frozen treats amid kitsch decor: blue plastic flowers, a glossy relief of the Swiss Alps. The scene felt at odds with the urgent historical moment; in Kabul, as the American military withdrew, the Taliban was shooting people dead in the streets. Still, perhaps my professional defeat, my failure to find answers, would go down easier with sugar.

* Names have been changed for individuals’ safety.

The door to the café jingled as I walked inside with Tabsheer,* an Afghan journalist and translator who was helping me report. We sat at a plastic table, where a waiter placed a dish of ice cream swirled to a perfect point and dusted with pistachio. After we ate, Tabsheer suggested, “Let’s just ask one more person. We’re here. We might as well.”

We settled on a middle-aged man who, in a pressed shirt and slacks, would have looked the consummate professional if not for the comically large banana smoothie he was drinking. We walked over and introduced ourselves using the same tired script. I took out my phone and pulled up a photo of a woman, her glossy red lips pursed in a coquettish expression that over the course of my reporting had come to signify disappointment—at men, at law enforcement, at me, the journalist trying to unearth her story.

The man looked at the image and put down his smoothie. He furrowed his brow and leaned in slightly. His lips parted and he hesitated a moment, which prepared me for familiar disappointment. Then he spoke.

“Yes,” he said. He cocked his head to the side. “Yes, I know this woman.”

“Are you sure?”I asked, incredulous at the turn the day had taken.

I pulled up another photo—a teenager with dark eyes, her straight hair tucked behind one ear. “What about this girl, do you recognize her?” I asked, holding my breath.

The man narrowed his eyes. “Yes,” he repeated.

I brought up another photo, this time of a young man looking over his shoulder, his mouth firmly set. “I often saw them together around here, but this was many years ago,” the man said. He looked at me quizzically. “What do you want with these people?”

I chose my next words carefully. Few things spook people like the mention of murder. “I’m looking for them,” I replied. “Something bad happened to them in Greece.”

The man held my gaze for a moment and took a sip of his smoothie. Whatever he was weighing, when he set his glass down he seemed to have made up his mind. “I know all these people, and I know their story,” he said. “I will tell you everything.”

THREE YEARS EARLIER

On the morning of October 10, 2018, a Greek farmer named Nikos Papachatzidis left his house to tend his fields. His land abutting the Evros River had long been a source of pride. This slice of the world, on the very eastern edge of Europe, is fertile, a place where sugarcane, cotton, wheat, and sunflowers grow in abundance.

With his snow-white hair blowing in the breeze, Papachatzidis, then in his early seventies, hopped onto his tractor and began tilling the soil. As he drove, he noticed something on the ground: a human hand, bound with a length of rope. He stopped the tractor and climbed down to find a dead woman, her face more or less intact, with a wide wound on her neck. Papachatzidis called the police.

Papachatzidis is not a man easily ruffled. When the police arrived, they cordoned off the area around the body, and Papachatzidis went back to work on another part of his land. He stayed out until sundown, at which point he returned home, exchanged his muddy boots for house slippers, and told his wife about the dead woman. At first she was angry—why had he waited all day to tell her? Then she grew so scared that a killer might be on the loose that she spent a sleepless night praying.

The next day, the couple received a phone call from the police. The bodies of two other women had been found on Papachatzidis’s land. It was likely that all three were migrants or asylum seekers. They had been murdered.

Bodies turn up along the Evros River with morbid regularity. The thin, shallow waterway divides Greece and Turkey for some 120 miles—the countries’ only shared land border—before dumping into the Aegean Sea. The area around Papachatzidis’s farm is a popular gateway for people desperate to enter Europe in search of freedom, safety, and dignity. But while traversing the river is less treacherous than a boat passage across the Mediterranean, it is by no means safe. Between 2018 and 2022, more than 200 migrants and refugees died trying to cross the Evros. Hypothermia and drowning are the most common causes of death. The strong current is challenging even for capable swimmers, and natural debris such as tree branches can snag on clothing and drag people—often children—to the river’s muddy bed. Across the Evros, other dangers await. Smugglers load people into vans bound for Thessaloniki, Greece’s second-largest city, with drivers who are often scared and inexperienced, resulting in horrific car crashes along the highway.

Murder, though, is a different matter. It is all but unheard of in Evros, the Greek region that takes its name from the river. For locals, the crime on Papachatzidis’s land was the most brutal act in recent memory.

Word spread fast, fueling rumors. This was the work of Islamic State operatives, some people said. No, the Turks did it. No, only a Greek soldier could be responsible. Greece, after all, had militarized the border in recent years, in an effort to keep migrants out of the European Union. With support from Brussels, the Evros River was now lined with fences and patrolled by men with guns. Some police officers who intercepted Afghans, Syrians, Somalis, and other migrants after they crossed the river allegedly violated international human rights law by sending them right back to Turkey, a practice known as pushback. (Despite overwhelming evidence to the contrary, Greece denies that it engages in pushback.) Over the coming years, several people would be shot dead trying to enter Evros. In March 2020, as border police and the military fired upon migrants, reportedly killing two, European Commission president Ursula von der Leyen thanked Greece for being “a European shield.”

A glaring indignity, among many others, is that Europe is not always aware of who dies on its doorstep. Identifying bodies found in Evros is the job of one man: Pavlos Pavlidis, a doctor and forensic scientist. When a migrant dies, the body is taken to Pavlidis’s morgue at University General Hospital in the seaside city of Alexandroupoli.

Pavlidis is tall and gaunt, with the stooped demeanor of a man used to doling out bad news. His job often feels Sisyphean: endless and hopeless. Unlike the sea, the Evros River has no salt to preserve bodies, and faces quickly disintegrate beyond recognition. Most identifying documents are lost or heavily damaged during crossings. Pavlidis takes DNA from the bodies and notes potentially identifying clues—tattoos and circumcisions, for instance—as well as material possessions. He sometimes works with the International Red Cross and various embassies to try and contact the families of the deceased. In most cases, the bodies he inspects are never identified.

When Pavlidis arrived at Papachatzidis’s farm, a grisly scene awaited him. Two of the women were found on their knees, facedown in the soil. Roughly 330 feet away, the third woman, who looked older than the others, lay sprawled on the ground, as though she had tried to run away and been knocked off her feet. All three had their hands bound, and their throats were cut. Their shoes were laced and their pants were buttoned.

Pavlidis is not an emotional man. In the more than two decades he has spent toiling in a hospital basement, he has learned not to think about what the dead were like when they were alive, or what they experienced in their final moments. A morgue is no place to contemplate the immense cruelty of the world if one wants to stay sane. “You get feelings,” Pavlidis said with a firm shake of his head. “I don’t want that.”

Pavlidis oversaw the transfer of the women’s bodies to Alexandroupoli, where they were placed on metal gurneys. The sharp chemical smell of the hospital masked the musk of decay. Decomposition had already set in; it appeared that several days passed before Papachatzidis discovered the bodies. Pavlidis noted that the women were dressed like “Europeans,” in tight denim and without headscarves. They had no identifying documents. Pavlidis found no internal bruising or other signs of trauma. No drugs or alcohol were in the women’s systems, and there was no evidence of sexual assault. The younger women were still, at least medically speaking, virgins; the older woman was not.

Pavlidis took DNA samples from skin, clothes, and hair. He scraped underneath the women’s fingernails, which were manicured and painted pearly pink. Genetic testing soon illuminated one piece of the story: The women were related. The younger two were sisters, and they had been killed a short distance from their mother.

The cause of death in each case was hemorrhagic shock brought on by severe blood loss. The women’s jugular veins had been cut, likely by someone right-handed. In Pavlidis’s experience, wounds of this nature were often sloppy and jagged; slicing someone’s throat is difficult, especially if they’re screaming or moving around. But the wounds on the women were precise. “It was like a butcher cut,” Pavlidis told me, sitting in his office. A cigarette smoldered in a glass ashtray on his desk, and an old PC hummed behind it. “I’ve said from the beginning, this guy is a professional.”

Two knives were found at the crime scene: one nine and a half inches long, with a serrated edge, and another, slightly shorter, with a black plastic handle. Both had been wiped clean. Police found a few other items near the bodies, including a water bottle, a bag of almonds, a tube of lipstick, and a soda can.

The most important piece of evidence was also one of the luckiest finds: a Samsung mobile phone tucked in the mother’s breast pocket. The local police didn’t have the technology to extract metadata from it, nor the experience to handle what was likely to become an international criminal investigation. The women had been killed in Greece after leaving Turkey, and it was all but certain they’d begun life in a third country. To find out who the women were and who had killed them, someone with resources and connections would have to run the investigation.

In the photos on the phone, the women were suddenly alive. In some images they had their arms thrown around each other. Filters—floating pink hearts, rabbit ears—embellished others.

Zacharoula Tsirigoti is short and compact, with small fingers that seem constantly to be rolling cigarettes with the assistance of a little machine she keeps in her purse and reddish hair that, when we met, was cropped close to her scalp. But while outward appearances indicate a woman built for efficiency, during our first interview Tsirigoti called herself “a romantic.” I watched her tear up twice while talking about her work.

From the age of 13, Tsirigoti wanted to be a police officer. “Not like the riot police that just beat people up,” she clarified, wagging a finger in the air. She wanted to give back to her community; she was attracted to the ethos of service and protection. After graduating from university, Tsirigoti started off as a constable, then spent 22 years working on relations between the Hellenic police and foreign law enforcement. She eventually became head of the Aliens and Border Protection Branch, and in 2016 was promoted to lieutenant general in the Hellenic police in Athens, making her the highest-ranking female officer in Greece.

None of this was without challenges. Greece is the lowest-ranked EU country in terms of gender equality; the Hellenic police is not a bastion of feminism. “The society in Greece is not ready to accept women doing jobs that men used to do,” Tsirigoti said. She sprinkled tobacco onto a rolling paper and looked up at me with a sly smile. “They gave me this branch because they thought I couldn’t manage the situation, but they were wrong,” she said. “A woman is more diplomatic than a man.”

Diplomacy was one characteristic needed to helm the investigation into the triple murder in Evros. Another was patience. Tsirigoti knew it might take months, if not years, to make progress in the case. The required paperwork and bureaucratic maneuvering, already Kafkaesque in Greece, would become even more dizzyingly complex when other nations entered the mix. With her commitment to her work and her Rolodex of international contacts, plus her deep understanding of migration patterns between Greece and Turkey from her time in border protection, Tsirigoti was ideally suited to the job.

One factor working against the investigation was general disinterest in the victims. In November 2018, a month after the murders, Eleni Topaloudi, a 21-year-old Greek woman, was attacked, gang-raped, and killed on the island of Rhodes. The case mobilized the nation, and police quickly arrested the perpetrators. The following year, when Suzanne Eaton, a sixty-year-old American woman, was murdered on Crete, the crime made headlines around the world, and her killer was brought to justice in two weeks. By contrast, the three migrant women killed in Evros barely made the news.

Tsirigoti didn’t just keep law enforcement’s attention on the case—she was the attention. “For me as a woman, it was very sad to see a mother with her two daughters killed like this,” she said. “To cross the border to another country there is a cause. They are human beings, not a number. I wanted to prove to the world, to the EU, that the Greek police investigate and care about everything. It was a matter of honor.”

The first step in the investigation was to contact Interpol, the international organization that facilitates cooperation among law enforcement in 195 countries. Greek police sent a “black notice” to the agency, an official request for information pertaining to unidentified bodies. They shared fingerprints taken from the three bodies—if the women had been registered as asylum seekers in, say, Turkey, there was a chance Interpol would be able to identify them. “We expected to get an answer from them,” Tsirigoti said. But that route turned out to be a dead end.

Tsirigoti hoped that the phone found on the mother would hold clues, so in December 2018 she turned to the Hellenic police’s anti-terrorism unit—not because she suspected that the women had been killed in an act of terrorism, but because the unit is the most technologically advanced in Greek law enforcement. Forensic analysts extracted data from the phone, including 511 contacts, 282 text messages, the dates, times, and numbers associated with 194 calls, and hundreds of photos and videos. Additional messages were found on social media platforms, along with data indicating when and where Wi-Fi was activated.

Sifting through the information, Tsirigoti was able to begin piecing together the women’s identities. They were from Afghanistan, and their first names were Fahima, Rabiya, and Farzana. Fahima, the mother, was in her mid-to-late thirties. Rabiya was 17, and Farzana couldn’t have been older than 14. In the photos on the phone, they were suddenly alive. In some images they had their arms thrown around each other. Filters—floating pink hearts, rabbit ears—embellished others.

Now that Tsirigoti knew the women’s nationality, her next move was to reach out to the Afghan ambassador in Greece, Mirwais Samadi. In March 2019, she shared the black notice and other details about the case with him. A much needed stroke of luck: Samadi was close with the chief of police in Kabul. He called in a favor to accelerate the process of formally identifying the women.

Two months later, in May, Tsirigoti received a document from the Interpol office in Kabul. It stated that Fahima was married with five children: Rabiya, Farzana, and three younger ones, two boys and a girl. The whole family had left their home in Mazar-i-Sharif, in the north of Afghanistan, in early 2018. They had passed through Iran before settling in Istanbul for a few months, where they sought passage to Europe. When the Mazar-i-Sharif branch of Interpol received photos of the deceased women, one of Fahima’s sisters and an uncle identified them; law enforcement was able to corroborate their identities with a brother-in-law of Fahima’s living in Europe.

Tsirigoti then turned her attention to Turkey, visiting the country five times as part of the investigation. She worked with the Turkish authorities, trying to track down men who may have come in contact with Fahima and her daughters. Since the women were migrants, they almost certainly had paid smugglers to get them across the Evros River. Those men could be murder suspects or the last people to see the women alive.

But that summer, Tsirigoti’s investigation came to a sudden halt. Political allegiances run deep in Greece, and Tsirigoti had been appointed to her post under the leftist Syriza government, which in the July 2019 elections lost power to the center-right New Democracy party. The new government made sweeping changes to police leadership, and on July 23 Tsirigoti, only 54 at the time, was forced to retire. “I didn’t finish the investigation,” she said, “and I feel very sad about it. But the police is a man’s world.” She shrugged.

Before vacating her office, Tsirigoti spoke with the officer who would take over the case. She made him swear to God he’d solve it. He promised he would, then handed it off to a small team of young male officers. It soon stagnated as police cooperation along the Greek-Turkish border all but ceased under the new government.

Conflict between Greece and Turkey stretches back centuries. After nearly 400 years of occupation by the Ottomans, Greece declared independence in 1821. Four wars followed. In 1923, a forced population exchange of 1.2 million Orthodox Greeks living in Turkey for 400,000 Muslim Turks living in Greece drastically altered the demographic makeup of each country. Refugees came to constitute one-fifth of Greece’s population—among them was Tsirigoti’s grandmother.

Another influx of refugees, this time in the 21st century, became a new source of acrimony between Greece and Turkey; both countries are keen to stir the pot of nationalist ideology and point fingers at each other when it suits them. Greece insists that Turkey isn’t doing enough to stop displaced people from crossing into European territory, while Turkey, host to the world’s largest refugee population, accuses Greece of pushback measures. Caught in the middle are migrants and refugees, human beings treated as pawns.

With her professional experience and fervent commitment to justice, Tsirigoti had managed to bulldoze through political hostilities to investigate the murders of Fahima, Rabiya, and Farzana. Without her there was a risk that the crime might never be solved. When we first met, in January 2020, Tsirigoti was still keeping an eye on the case, albeit from afar. She also had a theory about what had happened to the women. She leaned in close to tell me. Behind her, cars zipped down a busy Athens street. “It is my belief that this was an honor killing,” Tsirigoti said.

It seemed reductionist to assume that foreign women had been killed for foreign reasons, as opposed to a smuggling gone wrong, a mangled burglary, or something else related to the perilous journey they’d made to Europe. A form of gendered violence seen primarily in extremely conservative communities, honor killings usually occur when a woman or girl is believed to have tarnished a man’s reputation. These are not crimes of opportunity—they necessarily involve a perpetrator motivated by a desire to protect what he perceives as his dignity. Who might have had that motive, and why? Tsirigoti didn’t have an answer, but she thought she knew who might.

Found on the phone in Fahima’s pocket were photos of a young man who appeared to be in his early twenties, with deep-set eyes and black hair that swooped across his broad forehead. There were images of him with Fahima’s daughters in a park, and one of him sitting on a sofa. In some of these, he had his arms around Fahima; in one, she kissed his cheek. What was his relationship to the women? Could it have been a reason for violence, committed by him or by someone else?

Data from the phone indicated that the young man may have been the last person to see Fahima and her daughters alive. Law enforcement had no idea where he was. I told Tsirigoti that I’d try to find him. Then, in a rush of bravado, I went further: I said that I would find out what happened to the three women.

“OK,” Tsirigoti said with a chuckle. “Good luck.”

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Friday, December 09, 2022

The Fascinating History Behind a Set of Miniature Murder Scenes

Frances Glessner Lee was the U.S.’s first female police captain, but also a pioneer of forensic science. Through her miniature macabre dioramas, Lee helped train homicide investigators to search for clues, assess crime scenes, and use scientific techniques. Lee’s tiny handcrafted dollhouse scenes, known as the Nutshell Studies of Unexplained Death, had been on exhibit at the Smithsonian American Art Museum in the past, and are currently used privately in forensics training classes. I wouldn’t categorize Bachor and Moorhouse’s article as one of our typical longreads; the piece compiles a number of Lee’s dioramas, with photographs and brief descriptions of the “crime scenes,” in a somewhat desensitizing way. However, it highlights the influential work of an early female forensic scientist (and talented miniaturist), and in this regard is worth a look.

Living Room

On Friday, May 22, 1941, Reginald Davis said he discovered his wife dead on the stairs. The previous evening his wife had gone upstairs to bed shortly before he had. On Friday, he awoke a little before 5 a.m. to find that his wife was not beside him in bed. After waiting a while, he got up to see where she was and found her body. He at once called the family physician who, upon his arrival, immediately notified the police.

Clues: Is it significant that there are so many cigarettes and stubs on the side table? Or that all those newspapers are scattered on the floor, in what is otherwise a very tidy house?

Notes: Lee hand-rolled the cigarettes herself using real tobacco, and she also made the covers of the magazine and newspapers, which are readable despite their minuscule size.

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Can AI Write Authentic Poetry?

Keith Holyoak says that computers have long surpassed our math calculation skills. Could artificial intelligence eventually produce authentic creative work too?

A successful poem combines compelling content (what Coleridge called “good sense”) with aesthetically pleasing wordplay (metaphor and other varieties of symbolism), coupled with the various types of sound similarities and constraints of form.

Though I remain officially agnostic, for the purpose of the specific question that presently concerns us — can AI write authentic poetry? — the preponderance of evidence leads me to answer “no.” AI has no apparent path to inner experience, which I (and many others) take to be the ultimate source of authentic poetry. A major corollary of this conclusion deserves to be stated: Inner experience can’t be defined as a computational process.

The absence of inner experience also means that AI lacks what is most needed to appreciate poetry: a sense of poetic truth, which is grounded not in objective reality but rather in subjective experience.

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The Top 5 Longreads of the Week

Toppled chocolate cupcakes on a warm blue background.

Here are five stories to kickstart your weekend of reading: Seyward starts us off with story close to her heart, set in her hometown of Greenville, North Carolina; Krista shares a remembrance of the longest siege in modern history; Peter recommends a deeply reported piece on Andrew Luck; Cheri takes us behind the scenes of an art fraud; and Carolyn offers a light and fluffy take on “The Great Canadian Baking Show.”

1. Drugs Killed 8 Friends, One by One, in a Tragedy Seen Across the U.S.*

Lenny Bernstein and Jordan-Marie Smith | The Washington Post | December 2, 2022 | 3,289 words

This story is about my hometown. It could be about yours, too. Not because an outsize percentage of readers are from Greenville, North Carolina, a small, unremarkable city situated in the flat plains of what was once tobacco-growing country. It could be about where you’re from because stories like this are ubiquitous: stories of opioid overdoses depleting families and friend groups; of beloved mentors like Joe Hughes, my middle school history teacher, quoted in this piece, who has spoken at the funerals of three of his former students and attended five others; of natives like reporter Jordan-Marie Smith, who on trips home heard that a person she grew up, then another, then another had died. Smith is younger than I, as are many of the dead in this story. But just two weeks before it was published, over drinks, I asked a childhood friend if I was crazy in thinking that a lot of people who were in our year in school had died of suspected or confirmed overdoses. I could think of three off the top of my head; she added a fourth to the list. This is their story, too. —SD

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2. Toothache, Bleeding, Farewell

Miljenko Jergović (translated by Mirza Purić) | The Baffler | November 17, 2022 | 4,783 words

Thirty years after the Siege of Sarajevo, Miljenko Jergović, “one of the most prolific and widely read and translated ex-Yugoslav writers,” reflects on that first week of the war. In this essay first published on his blog and translated for publication at The Baffler by Mirza Purić, Jergović recounts being plagued by the misery of a toothache — a harbinger of the horrors to come — and the sickening realization that, as the bullets and shells whistle overhead and nearby, nothing will ever be the same. Jergović’s perception is irrevocably altered by the immediacy and proximity of violence over the coming 1,425 days, in what would become the longest siege in modern history: “What struck me then with clarity, however, while the Tramadol was still working, before the pain returned with all its vengeance, the thought that changed my life passing through my forehead like a lobotomy blade, was the realization that, after those first bursts and blasts, I was no longer me, nor was that house my house, nor was that city my city…The war had started with the first explosion. And the war, I felt, would last a long time, it would in fact never end.” —KS

3. Why Andrew Luck Walked Away

Seth Wickersham | ESPN | December 6, 2022 | 8,533 words

Sports journalism is one of those sub-disciplines that contains multitudes. If you’re not familiar with the sport or the team or the athlete being discussed, it can seem designed specifically to drive you away. (Case in point: the actual headline on this is “Why Andrew Luck Finally Reveals Why He Walked Away From the NFL.”) But when it’s done right, it transcends the field of play to become a universal human story. The minutiae of tactics and statistics fall away, revealing something anyone can connect with. That’s the case with Seth Wickersham’s deep profile of Andrew Luck, the Stanford architectural design major and quarterback who became the first pick in the 2012 draft. It’s a story about how the ways we protect ourselves can harm others, about how a lifetime of competitive sports can turn a shoulder injury into a gradual unraveling of the self. Wickersham and Luck clearly spent an inordinate amount of time together over the five months of reporting, and it shows in the piece’s emotional core: For every piece of scenework, there’s an interior reconstruction as well. Luck came into the league burdened by unimaginable expectations; he left it with a clear conscience. Now, after affording himself the time and space to find a path, he’s moving toward something that might just be his true purpose. This is the kind of piece that offers something for people who don’t follow athletes — but perhaps more importantly, it’s a reminder that athletes are people too, as plagued by doubt and fear as the rest of us. —PR

4. Unmasking “The Scholar”: The Colorado Woman Who Helped a Global Art Smuggling Operation Flourish for Decades

Sam Tabachnik | The Denver Post | December 1, 2022 | 7,593 words

Ever since reading this Bloomberg piece about disgraced art collector Douglas Latchford, I’ve been interested in learning more about how he spent decades trafficking priceless archaeological treasures out of Cambodia and into museums and private collections around the world. But Latchford didn’t do it alone. This piece by Sam Tabachnik is the first in a three-part series that investigates the role of a Colorado scholar in this illicit antiquities trade. In part one, Tabachnik introduces us to Emma C. Bunker, who was known as a prominent Asian art scholar and a consultant, board member, and volunteer at the Denver Art Museum for six decades. (Bunker died last year at age 90.) Tabachnik weaves a fascinating narrative that paints Bunker not as a well-respected scholar but a fraud and Latchford’s sidekick. She was integral to his smuggling operation, enabling the falsification of documents and legitimizing his stolen collection through her academic work and publications. Court documents and recreated emails are sprinkled throughout for readers who want to dig deeper. And you will. —CLR

5. The Great Canadian Baking Show Is a Pile of Wet Dough

Alex Tesar | The Walrus | September 29, 2022 | 2,238 words

While not the weightiest story in the world, this essay debating the merits of The Great British Bake Off compared to The Great Canadian Baking Show was the soul-soothing read I needed as we stumble toward the end of the year. Besides, Alex Tesar is right: The Great Canadian Baking Show just isn’t as good. As a British expat currently living in Canada, I consider myself in a lofty position to judge this issue, and I nodded along, self-importantly, as I read Tesar’s delicious arguments. While I have devoured all the offerings from the British side of the Atlantic, I limped through one season of the Canadian version and, with Dan Levy no longer presenting, could make it no further. Tesar explains that the “bucolic village fete,” which provides the setting for both shows, makes sense against the backdrop of English history (although dwelling on a tweeness that does not always exist), but not for Canada. He continues that trying to emulate British culture, rather than “showing us what Canada is and what it could become … reveals profound insecurities about what sticks us together besides maple syrup.” I also have something to say about (most) North American versions of British shows: No. Tesar offers a more nuanced perspective. It may be as light as whipped cream, but what a fun read. —CW


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Thursday, December 08, 2022

The Secret Lives of MI6’s Top Female Spies

Helen Warrell interviews three top female British Secret Intelligence Service officers about what it’s really like to be a woman in a world of espionage. It’s not a surprise that female spies experience misogyny and sexism on their way up, while pop-culture depictions in Bond films and Le Carré novels enforce sexy spy and secretary stereotypes. This is the first time that female SIS officers are going on the record; Kathy, Ada, and Rebecca (which are not their real names) agreed to speak with Warrell to help recruit more women and ethnic minorities to apply. The women are tight-lipped about some areas of their work, which makes this insightful and fun read all the more fascinating.

Still, it is not a job with universal appeal. While Q branch now has more women than men at senior levels, they are under-represented in the department as a whole. Ada is keen to change this, but the wider shortage of women in science and engineering makes recruitment more difficult. She is not from a technical background herself. Her strength is operational expertise honed on a series of overseas postings, where she learnt Arabic and ran agents, including in war zones. For some of this time she was also raising a family, which presented unusual practical problems. At the start of one posting, she was given an armoured car and became the first officer in the service to ask where the Isofix points were so she could insert her baby’s carseat. “There was a lot of scratching of heads and people saying, we haven’t had a request for one of those things before,” she says. “And actually, it turns out it’s very difficult to do.” (They did, eventually, find a way.)

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The Untold Story of the Insular Texas Family That Invaded the U.S. Capitol

Everyone remembers Jake Angeli, the “the QAnon shaman” who participated in the January 6 insurrection wearing bison horns and carrying a spear, and Stewart Rhodes, the militia leader with the eyepatch who just last week was convicted of sedition in connection with the violence at the Capitol. Fewer people might recognize the Munns, a family based in the small panhandle town of Borger, Texas, five of whom—father, mother, son, and two daughters—were indicted for entering the Capitol that day. Who are they, and why don’t we know more about them? Why, indeed, don’t federal prosecutors? Robert Draper investigates:

“American Family Needing Help,” blared the title of the GiveSendGo account established by one of the Munn daughters in the summer of 2022. The web page included a lengthy elucidation by Tom of how he had tried to instill in his children his deep commitment to the Constitution, often focusing on the First Amendment. He wrote that the 2020 election results had left him doubting the process. Following what he termed “a frustrating display of political maneuvering, to obstruct the verification of the vote,” Tom “felt compelled to let my voice be heard and obligated to demonstrate to my children, the vital importance of doing so.” He described a Gestapo-like raid by armor-clad federal agents on his peaceful home. He said that his family had lost friends and now struggled to find work. 

Tom’s synopsis of the family’s legal predicament was misleading at best. “Having no other ‘real’ recourse, we accepted the ‘plea deal’ offered by the prosecution,” he wrote. In truth, each of the Munns were provided free legal counsel from the federal public defender’s office. The children, beginning with Josh, eventually indicated their willingness to plead guilty. Though Tom and Dawn waited ten months to acknowledge their guilt, they offered no legal challenge to their indictment at any point. 

When the GiveSendGo page went live, Tom lamented that the Munns lacked the means to travel to Washington for their sentencing hearing in October, and as a result, “we are greatly fearing being held in contempt of court,” he wrote. This appeal, which raised the Munns more than $33,000 in donations, evoked a familiar trope, that of a patriotic and Trump-loving American family suffering under the bootheel of a deeply partisan criminal justice system. 

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Best of 2022: Personal Essays

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Today’s list compiles our editors’ picks for personal essays. While our team is small, we have a wide range of interests and are drawn to very different types of personal writing. It’s often hard for each of us to select a single “favorite” for these lists, but we enjoy coming together each December to look back on all the stories we’ve picked to create these year-end lists.

Similar to last year, we asked our writers, featured authors, and readers to share their favorite stories across categories. You’ll see their recommendations alongside ours in this list and others to come this month. Enjoy!


Does My Son Know You?

Jonathan Tjarks | The Ringer | March 3, 2022 | 2,738 words

Jonathan Tjarks was 33 years old when he learned he had cancer. Thirty-three. He had a wife and a baby son and a sportswriting career that was humming along, and then he had cancer. What he didn’t have was the willingness to go gently into that good night. So he wrote about his fear, and he wrote about his faith and his friendships; how difficult those things were, how important they were. He’d lost his own father when he was young, and he wanted more than anything for his son to avoid the slow erosion of community that he had known in the wake of his dad’s death. “I don’t want Jackson to have the same childhood that I did,” he wrote. “I want him to wonder why his dad’s friends always come over and shoot hoops with him. Why they always invite him to their houses. Why there are so many of them at his games. I hope that he gets sick of them.” Jonathan Tjarks was 34 years old when he died of cancer just a few short months after this essay was published. He’d done what he could to fight, and he’d done what he could to make sure that the friends he’d made would help his son navigate the world. To the rest of us, he left this spare, frank, moving essay. —Peter Rubin


On Metaphors and Snow Boots

Annie Sand | Guernica | May 23, 2022 | 2,821 words

“Only sometimes will the ice hold my weight,” writes Annie Sand in this powerful essay at Guernica, in which she considers the meteorological metaphors she uses to understand and cope with mental illness. “Metaphor rushes in to fill gaps, to make meaning, and to conceal,” she says, as she attempts to assess the cost of a bout of anxiety in “hours of writing lost, hours of grading lost, hours of exercise lost, hours of sleep lost, hours of joy lost.” While metaphor can be a convenient way for us to attempt to understand the pain of others, language in all its power often comes up short, diminishing the complexities of human perception and experience with inadequate comparisons. “When we use metaphor to conceal the unknowable, we make symbols out of human beings and allegory out of experience. We reduce our own pain to a precursor, a line item, a weather report,” she says. The key, Sand suggests, is to define pain and suffering for yourself: “I wonder instead if the answer is not to abstain from metaphor, but rather, each time society tries to wheat-paste an ill-fitting metaphor over our lives, to offer one of our own.” If you’ve ever tried to explain how you really feel — mentally or physically — to someone, you’ll appreciate Sand’s thinking. —Krista Stevens

Annie Sand on the most impactful longform story she read this year:

For me it has to be “Final Girl, Terrible Place” by Lesley Finn. She talks about the concept of the final girl in horror: the young woman who makes it to the end of the movie, but is nonetheless objectified within the story. Her body is put on the line so the male psyche can experience threat from a distance. Reading the essay, I felt a flash of desperate recognition I hadn’t experienced since Leslie Jamison’s “Grand Unified Theory of Female Pain.” Finn captures so much of the uncertainty of being a teenage (and even preteen) girl: the way you feel the noose of culture and power closing in on you but have no name for it. Now in my early 30s, I’m helping to raise a teenage girl who is obsessed with horror, I suspect for similar reasons as Finn. I think she sees herself in the final girl. Maybe over Christmas break we’ll read it together.


20 Days in Mariupol

Mstyslav Chernov | Associated Press | March 21, 2022 | 2,400 words

We tend to think of personal essays as marathons rather than sprints, feats of the written word that require time, training, and endurance to complete. But sometimes a brilliant essay is a mad dash because it has to be. Case in point, this harrowing piece that begins, “The Russians were hunting us down. They had a list of names, including ours, and they were closing in.” Video journalist Mstyslav Chernov’s account of witnessing and escaping the siege of Mariupol, Ukraine, is an essential first draft of history, penned in collaboration with Lori Pinnant, an AP colleague, and punctuated by photographer Evgeniy Maloletka’s chilling images. In spare, unflinching language, Chernov describes Russia’s campaign to suppress the truth about its brutal assault on civilians. What lingers most vividly in my memory, though, are the essay’s interior parts, where Chernov conveys a raw mix of shock, fear, anger, and guilt about what, as a journalist, he saw, did, and couldn’t do. These moments are what make such an otherwise immediate piece timeless: Chernov captures the essence of both conflict reporting and what it means to be the person doing it. —Seyward Darby


To Live in the Ending

Alyssa Harad | Kenyon Review | July 29, 2022 | 6,113 words

When it was time to select an essay for this category, I immediately knew the type of piece I wanted to highlight. Week after week, it’s so easy to get lost in #sadreads, especially about the state of the planet. I’ve found some comfort in writing about the Earth and the climate crisis that, while urgent and often dismal, ultimately challenges me to think in new ways — and which helps me see a path toward a better future. I count Alyssa Harad’s gorgeous braided essay about the end of the world and the language of the apocalypse as one of this kind of piece — I’ve kept thinking about it for months. Instead of relying on catastrophe narratives or thinking of the end as a singular event, Harad considers life as a series of “nested crises,” and explains that “worlds end all the time.” I love the way she artfully weaves her observations about the world with musings that trace her own thinking since she was a child, and reflects on how she’s come to make sense of the uncertain times in which we live. It’s an essay, but it’s also a journey, and it deeply inspired me, as both a writer and a human. —Cheri Lucas Rowlands

Alyssa Harad recommends a piece that made her smile this year:

Unconditional Death Is a Good Title,” a selection in The Paris Review from the pandemic journal kept by the late-but-always-and-forever-great poet Bernadette Mayer, surges with the life and joy typical of Mayer’s work: “not growing old gracefully,” Mayer writes, “i’ve chosen to grow old awkwardly, like a teenager.”


14 Hours in the Queue to See Queen Elizabeth’s Coffin

Laurie Penny | British GQ | September 18, 2022 | 3,415 words

The Queue to see Queen Elizabeth’s coffin seems particularly bizarre now that the moment has passed. Looking back at it is akin to waking up after too many beers and analyzing the deep connection you thought you shared with the bartender. Laurie Penny found it awkward even at the emotional height of the time, and she approaches the Queue with a healthy amount of cynicism (and snacks). However, within the Queue, she finds incredible camaraderie and a shared sense of loss, not just for the Queen, for, as Penny states, “almost everyone I speak to turns out to have recently lost someone, or something important.” The loss from COVID-19 is also apparent as the Queue shuffles past the National COVID Memorial, naming the people who succumbed to the pandemic, and Penny realizes, “about as many people queued past that wall as there are names on it.” The passing of Elizabeth II created something that, for a brief moment, allowed people to come together and mourn and grieve in solidarity. Mourn and grieve for many things after some difficult years. With barriers down — for whatever reason — there can be tremendous release in shared emotion. This essay made me think about many things beyond the Queen: community, loss, and loneliness, to name a few. It also made me laugh, which is the splendid thing about Laurie Penny’s writing — she can make you ponder through a chuckle. —Carolyn Wells


You can also browse all of our year-end collections since 2011 in one place.

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