When you think of @NatSymphonyDC filling #DC with music, you probably don't think about silent films... but maybe you should. #DCHistory https://t.co/vGMG0G6Hs5 When you think of @NatSymphonyDC filling #DC with music, you probably don't think about silent films... but maybe …
— Kenneth Samson (@PangurBanC) Jan 8, 2022
Circa 1959 photo of a DC Transit streetcar on the 40 line as it passes along a street of classic DC rowhouses. https://t.co/6cIXbp4kuR Circa 1959 photo of a DC Transit streetcar on the 40 line as it passes along a street of classic DC rowhouses. https://t.co/6cIXbp4kuR — Str…
— Kenneth Samson (@PangurBanC) Jan 8, 2022
Today in History - January 8 https://t.co/2Yg9HDtcXG On January 8, 1815, Major General Andrew Jackson led a small, poorly-equipped army to victory against eight thousand British troops at the Battle of New Orleans. Continue reading. Click here to search Today in History fo…
— Kenneth Samson (@PangurBanC) Jan 8, 2022
Diego Gutiérrez, Spanish cartographer of Casa de la Contratación, produced this 1562 map of the western hemisphere to assert Spanish claims to new world territories. Zoom to see California inscribed for the 1st time on a printed map: https://t.co/nQGmnPOiGa …
— Kenneth Samson (@PangurBanC) Jan 7, 2022
Four years after being famously denied the opportunity to perform at DAR Constitution Hall because of her race, Marian Anderson did perform there #OTD 1943. The show was a victory for civil rights -- but only a temporary one. https://t.co/RluNK0D5XQ Four years after being fa…
— Kenneth Samson (@PangurBanC) Jan 7, 2022
Here are five stories that moved us this week, and the reasons why.
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Simon van Zuylen-Wood | The Washington Post Magazine | January 4, 2022 | 6,044 words
Five years ago, J.D. Vance was enjoying the success of his acclaimed 2016 memoir, Hillbilly Elegy. Today, he’s running for Senate in his home state of Ohio, bankrolled by tech-con icon Peter Thiel, and competing with Ted Cruz to tweet the most abrasive MAGA platitudes. How we ended up here isn’t the primary goal of van Zuylen-Wood’s intellectually driven feature, though; instead, it’s an attempt to answer the question of where “here” actually is. Watching Vance preen for prospective voters and explain his equivocations is maddening, sure, but it allows van Zuylen-Wood to tease apart the philosophical paradox at the heart of Vance’s attempted makeover. “Vance’s media strategy seems to be that by playing Don Jr. on the Internet, he can push for more substantive populism in real life,” he writes. “The success of that tactic may depend on how far removed he truly seems from the Brookings Institution-to-Netflix pipeline he was riding until recently.” Inside (beltway) baseball? Perhaps. A crucial preview of the next few years of so-called culture wars? Definitely. Don’t say you weren’t warned. —PR
Elizabeth Weil | The New York Times Magazine | January 3, 2022 | 6,115 words
I recently drove up the Pacific Coast, from Venice Beach to the Bay Area. It took 10 hours to get home, but it didn’t feel long, even with a 3-year-old in the back seat. We drove up Malibu’s coast in relentless rain before dawn, watched the sun rise in Santa Barbara, spotted rainbows against green hills near San Luis Obispo, and felt the sun on our faces as we reached San Jose. But for every beautiful bit of coastline and landscape I saw out of the window that day were sights I did not see, nor wanted to think about: the drought-stricken reservoirs, the scorched old-growth forests, the lands scarred by the one-two punch of fire and torrential rain. Yet, despite California’s climate crisis, there’s still no place in the U.S. I’d rather live. I was reminded of this road trip as I read Elizabeth Weil’s poignant, eye-opening piece on the state’s wildfire problem, and what it means to live in California now. “Did choosing to stay here mean a life defined by worry, vigilance and loss?” she asks. Weil also speaks with climate futurist Alex Steffen, who explains we’re living in trans-apocalyptic times: “We have this idea that the world is either normal and in continuity with what we’ve expected, or it’s the apocalypse, it’s the end of everything — and neither are true.” Yes, the world’s in bad shape, and loss and grief are inevitable, he tells her, but it still might be possible to build a better future. It’s a bleak but necessary read, and a call for us to wake up, to recognize that the California we once knew is gone, and to face the world as it exists. —CLR
Jeannette Cooperman | The Common Reader | Dec. 29, 2021 | 5,500 words
To say that we’re losing the war on plastic is to flatter ourselves with a lie. The fact is that we’re not even fighting it. As Jeannette Cooperman details in this lyrical essay, humans are addicted to plastic despite knowing — despite always knowing — that the stuff is dangerous. “Is it self-hatred, to embrace with abandon a substance you know to be cheap, tacky, often garish, and entirely synthetic?” Cooperman asks. “A substance that, when made into a bag, had to be imprinted with warnings, lest a child think it a toy and suffocate?” Weaving history and philosophy, poetry and science, Cooperman offers insight into how and why we got to this point. Her essay is also an elegy for the natural world and our appreciation of it. “We try so hard to fake beauty, just so it will last longer,” she writes. “We miss nature’s point.” It’s hard to read this piece without looking up, taking stock, and wishing for a war. —SD
Ryan Katz | The New Yorker | January 3rd, 2022 | 4058 words
Regina Alexander’s mother Elizabeth was murdered in 1971 by the McCrary family, just two months after Regina was born. The McCrarys were ramblers, linked to the murders of at least 10 other women. Decades later, when Regina comments on a blog post about the killings, she unwittingly starts a conversation among the friends and families of the victims, one that would eventually include replies from ensuing generations of the McCrary family. Ryan Katz’s New Yorker story examines the horrific, insidious toll that violent crime exacts on the follow-on generations of both killer and victim, those who, because of their family ties, are forced to pay for the crimes for the rest of their lives. —KS
Madeleine Watts | The Believer | March 25, 2020 | 5746 words
Madeleine Watts’ essay was published in March 2020, but the dis-ease she describes from unexplained fainting episodes is very relatable as the pandemic endures. As she examines her life and experiences leading up to and after being declared “weak with no known cause,” Watts suggests that “Our bodies are the containers for our thoughts…” It’s only by considering life stresses in hindsight (terminal family illnesses, immigration concerns, and fear for her own health) that it becomes easy to see why her body would suddenly shut down from sheer overload: “…the body sometimes articulates things that the mind cannot.” —KS
Waiting to Unfold via NASA https://t.co/pxoWMOkweH https://t.co/neSoOAYSbY
— Kenneth Samson (@PangurBanC) Jan 7, 2022